Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Philippe Herreweghe, Véronique Gens, Guillemette Laurens's 'Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe"' came out on 1993. Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" is about six minutes long, preciously at 5:35, making this song fairly long compared to other songs. The track order of this song in Jean-Baptiste Lully, Philippe Herreweghe, La Chapelle Royale, Collegium Vocale Gent's "Lully: Armide" album is number 9 out of 39. In terms of popularity, Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Armide: Act I, Scene 1: Ritournelle. Phénice : "Dans un jour de triomphe" by Jean-Baptiste Lully, Collegium Vocale Gent, Noemi Rime, La Chapelle Royale, Philippe Herreweghe, Véronique Gens, Guillemette Laurens to be Andante (at a walking pace) because the track has a tempo of 93 BPM, a half-time of 46BPM, and a double-time of 186 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armide: Overture | Jean-Baptiste Lully, Stephanie Houtzeel, Robert Getchell, François Loup, William Sharp, Ann Monoyios, Miriam Dubrow, Tony Boutté, Darren Perry, Adria McCulloch, Tara McCredie, Opera Lafayette Chorus, Opera Lafayette Orchestra, Ryan Brown | B♭ Major | 1 | 6B | 70 BPM | ||
Choral-Vatiationen: Var. I. In canone all'Ottava | Igor Stravinsky, Philippe Herreweghe, Royal Flemish Philharmonic, Collegium Vocale Gent | C Major | 1 | 8B | 93 BPM | ||
Suite From Abdelzar: I. Rondeau | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | D♭ Minor | 1 | 12A | 101 BPM | ||
Dixit Dominus, ZWV 66: Judicabit - After Psalm 109 | Jan Dismas Zelenka, Adam Viktora, Inégal Ensemble, Prague Baroque Solists | F♯ Minor | 3 | 11A | 121 BPM | ||
Solfeggio No. 1 in C Minor, Wq. 117/2, H. 220 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Minor | 2 | 4A | 76 BPM | ||
Le Bourgeois Gentilhomme: 1er et 2nd espagnols enjoues ensemble | Jean-Baptiste Lully, La Simphonie Du Marais, Hugo Reyne, Philippe Roche, Yves Coudray | A Major | 2 | 11B | 69 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: I. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 108 BPM | ||
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts | Jean-Philippe Rameau, Teodor Currentzis | D♭ Major | 1 | 3B | 130 BPM | ||
Concerto for 2 Oboes in F Major, Op. 9, No. 3: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 1 | 7A | 61 BPM | ||
Le bourgeois gentilhomme, LWV 43, Act V Final scene: Le Ballet des Nations. Voy ma Climène (Deux musiciens Poitevins) | Jean-Baptiste Lully, Vincent Dumestre, Le Poème Harmonique, Zachary Wilder, Cyril Auvity | B♭ Major | 5 | 6B | 92 BPM |
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