Mikhail Glinka, Wolfgang Sawallisch, Bavarian State Orchestra's 'Glinka: Ruslan and Lyudmila: Overture (Presto)' came out on 1993. With this song being about 5 minutes long, at 5:21, "Glinka: Ruslan and Lyudmila: Overture (Presto)" by Mikhail Glinka, Wolfgang Sawallisch, Bavarian State Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 1 out of 33 in Classic Experience IV by Various Artists. Glinka: Ruslan and Lyudmila: Overture (Presto) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Glinka: Ruslan and Lyudmila: Overture (Presto) by Mikhail Glinka, Wolfgang Sawallisch, Bavarian State Orchestra is Adagio (slowly with great expression), since this song has a tempo of 76 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Голуэй (из музыки к комедии В. Шекспира "Сон в Летнюю Ночь"). Ноктюрн. Разлука | Концертино | C Major | 4 | 8B | 142 BPM | ||
Balakirev : Islamey | Mily Balakirev, Boris Berezovsky | D Major | 2 | 10B | 73 BPM | ||
Variations in A Major on the Theme from the Opera "Anna Bolena": Tema | Mikhail Glinka, Evgeny Soifertis | E Minor | 1 | 9A | 75 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: I. Introduction: Grave, Adagio cantabile | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 60 BPM | ||
Capricho brillante en Jota Aragonesa | Orquesta Sinfónica De Radio Hamburgo, Mikhail Glinka, Ferdinand Canonovich | B♭ Major | 4 | 6B | 118 BPM | ||
Schwanengesang, S. 560: VII. Ständchen (2nd Version, After Schubert D. 957/4) | Franz Liszt, Angela Hewitt | A Major | 2 | 11B | 143 BPM | ||
Cantabile, MS 109/Op. 17 (Arr. for Cello and Guitar) | Niccolò Paganini, Jan Vogler | D Major | 3 | 10B | 124 BPM | ||
Piano Sonata in G Minor: II. Romanza: Andante quasi adagio | Wilhelm Stenhammar, Niklas Sivelov | B♭ Major | 0 | 6B | 74 BPM | ||
Nocturne No. 2 in C Minor | John Field, Benjamin Frith | C Minor | 0 | 5A | 67 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM |
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