"Capricho brillante en Jota Aragonesa" by Orquesta Sinfónica De Radio Hamburgo, Mikhail Glinka, Ferdinand Canonovich was released on November 1, 2010. Since Capricho brillante en Jota Aragonesa is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Various Artists's "Música de España. Spanish Classical Music Vol.2" album is number 7 out of 9. In terms of popularity, Capricho brillante en Jota Aragonesa is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Capricho brillante en Jota Aragonesa by Orquesta Sinfónica De Radio Hamburgo, Mikhail Glinka, Ferdinand Canonovich to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vals del adios - opus 69 nº1 | Richerman Y Su Piano | A♭ Major | 2 | 4B | 97 BPM | ||
Carmen, Opera Suite No. 1: IV. Aragonaise, Act 4 | London Festival Orchestra Alfred Scholz | D Minor | 1 | 7A | 123 BPM | ||
L'Arlesienne Suite No. 1: Prelude | London Philharmonic Orchestra | C Minor | 1 | 5A | 115 BPM | ||
Obertura Egmont | Orquesta Sinfónica De Radio Hamburgo | F Minor | 1 | 4A | 168 BPM | ||
Presto (Concierto Para Cuerda Sol Mayor) | Cámara de la Escala De Milan | D Major | 4 | 10B | 93 BPM | ||
Voices of Spring Waltz, Op. 410 | Orchestra of the Viennese Volksoper & Alfred Scholz | C Minor | 1 | 5A | 99 BPM | ||
Sonata No. 11 in a Major, K. 331: III. Rondo Alla Turca | David & Götz | A Major | 3 | 11B | 140 BPM | ||
5 Military Marches, Op. 39, "Pomp and Circumstance": No. 1 in D Major | Edward Elgar, New Zealand Symphony Orchestra, James Judd | D Major | 3 | 10B | 127 BPM | ||
Raymonda, Op. 57: Act II - Variation I | Alexander Glazunov, Moscow Symphony Orchestra, Alexander Anissimov | D♭ Major | 0 | 3B | 83 BPM | ||
Debussy: Claro de luna | Claude Debussy, Leif Ove Andsnes | D♭ Major | 0 | 3B | 70 BPM |
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