- BPM
- 75
- Key
- E Minor
- Camelot
- 9A
Variations in A Major on the Theme from the Opera "Anna Bolena": Tema - Mikhail Glinka, Evgeny Soifertis Information
- Acousticness
- 99%
- Danceability
- 27%
- Energy
- 10%
- Instrumentalness
- 90%
- Liveness
- 22%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 17%
- Popularity
- 1%
- Loudness
- -23.689 dB
Summary
"Variations in A Major on the Theme from the Opera "Anna Bolena": Tema" by Mikhail Glinka, Evgeny Soifertis was released on 1998. With Variations in A Major on the Theme from the Opera "Anna Bolena": Tema being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Mikhail Glinka, Evgeny Soifertis's "Glinka: Piano Music" album is number 10 out of 28. On top of that, United Kingdom appears to be the country where this track was created. Variations in A Major on the Theme from the Opera "Anna Bolena": Tema is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Variations in A Major on the Theme from the Opera "Anna Bolena": Tema BPM
We consider the tempo marking of Variations in A Major on the Theme from the Opera "Anna Bolena": Tema by Mikhail Glinka, Evgeny Soifertis to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
Variations in A Major on the Theme from the Opera "Anna Bolena": Tema Key
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mazurka in C Minor | Mikhail Glinka, Inga Fiolia | C Minor | 0 | 5A | 106 BPM | |
 | Nocturne No. 10 In E Minor | Benjamin Frith, John Field | E Minor | 0 | 9A | 65 BPM | |
 | Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | |
 | Songs without Words, Op. 19, No. 1 in E Major: Andante con moto | Felix Mendelssohn, Philippe Cassard | B Major | 0 | 1B | 84 BPM | |
 | Orfeo ed Euridice: Ballet des Ombres Heureuses (arr. I. Friedman for piano) | Ignaz Friedman, Christoph Willibald Gluck, Joseph Banowetz | F♯ Major | 0 | 2B | 70 BPM | |
 | Serenade for Strings in E Major, Op. 22, B. 52: IV. Larghetto | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 91 BPM | |
 | Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | |
 | Pièces de Clavecin, Livre II, 6e ordre: V. Les Baricades Mistérieuses | François Couperin, Alexandre Tharaud | B♭ Major | 1 | 6B | 111 BPM | |
 | 24 Preludes For Piano, Op.11: No. 11 In B | Alexander Scriabin, Yuja Wang | B Major | 0 | 1B | 67 BPM | |
 | 7 Variations on an original theme, Op. 9, J. 55: Andante | Carl Maria von Weber, Michael Endres | F Major | 0 | 7B | 121 BPM |
- ISRC
- GBABV0711658
- Label
- L-M Records/RCA Records
Section: 0.6843428611755371
End: 0.6877422332763672