"Notre Dame, Op. 2: Act II Scene 2: De ventre inferi clamavi (Archdeacon, Quasimodo, Esmeralda, Chorus)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick was released on January 1, 1989. With this song being about 5 minutes long, at 4:41, "Notre Dame, Op. 2: Act II Scene 2: De ventre inferi clamavi (Archdeacon, Quasimodo, Esmeralda, Chorus)" by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 20 in the song's album "Schmidt, F.: Notre Dame [Opera]". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Notre Dame, Op. 2: Act II Scene 2: De ventre inferi clamavi (Archdeacon, Quasimodo, Esmeralda, Chorus) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Notre Dame, Op. 2: Act II Scene 2: De ventre inferi clamavi (Archdeacon, Quasimodo, Esmeralda, Chorus) by Franz Schmidt, Hartmut Welker, Kurt Moll, James King, Horst R. Laubenthal, Gwyneth Jones, Kaja Borris, Hans Helm, Andreas Juffinger, Chor der St. Hedwigs-Kathedrale Berlin, RIAS Kammerchor, Berlin Radio Symphony Orchestra, Christof Perick having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
E Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Petite suite I. En bateau - Andantino En bateau - Andantino I - En bateu (Andantino) | Orchestra Sinfonica Abruzzese, Umberto Clerici, Marzio Conti | G Major | 0 | 9B | 96 BPM | ||
Amour... amour... (Version for Orchestra) | Franco Alfano, Orchestra Sinfonica Di Milano, Giuseppe Grazioli | G Major | 1 | 9B | 99 BPM | ||
Macbeth: Act IV, Introduction | Arthur Sullivan, Margaret MacDonald, RTE Chamber Choir, RTE Concert Orchestra, Andrew Penny | B Major | 2 | 1B | 82 BPM | ||
Copland: Suite from Appalachian Spring: III. The Bride and Her Intendend. Moderato (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | B♭ Major | 1 | 6B | 61 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 24, A tempo un poco meno mosso | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
Holy and Celestial Harmony | Ludwig van Beethoven, Shoko Sugitani, Berliner Symphoniker, Gerard Oskamp | E Major | 0 | 12B | 111 BPM | ||
Beethoven: Piano Concerto No. 3 in C Minor, Op. 37: II. Largo | Ludwig van Beethoven, André Cluytens, Gabriel Tacchino, Berliner Philharmoniker | C Major | 1 | 8B | 81 BPM | ||
Notre Dame, Op. 2: II. Intermezzo | Franz Schmidt, Netherlands Philharmonic Orchestra, Yakov Kreizberg | D♭ Major | 1 | 3B | 173 BPM | ||
Das Buch mit Sieben Siegeln: Nun sah ich, und siehe, mitten vor dem Thorne (fJohannes/Chor) | Franz Schmidt, Franz Welser-Möst, Franz Welser-Moest, Bavarian Radio Symphony Orchestra | C Major | 1 | 8B | 82 BPM | ||
La traviata, Act I: Overture: La Traviata, Act III: Prelude | Giuseppe Verdi, Budapest Philharmonic Orchestra, Karolos Trikolidis | F Major | 1 | 7B | 75 BPM |
Section: 0.7539486885070801
End: 0.7580177783966064