George Frideric Handel, Marcel Ponseele, Il Gardellino made "Konzert für Oboe Nr. 3 g-Moll, HWV 287: II. Allegro" available on January 1, 2000. With Konzert für Oboe Nr. 3 g-Moll, HWV 287: II. Allegro being less than two minutes long, at 1:45, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Marcel Ponseele's "Marcello, A.: Oboe Concerto in D Minor / Telemann, G.P.: Oboe Concerto in F Minor / Handel, G.F.: Oboe Concerto No. 3" album is number 10 out of 18. In terms of popularity, Konzert für Oboe Nr. 3 g-Moll, HWV 287: II. Allegro is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Konzert für Oboe Nr. 3 g-Moll, HWV 287: II. Allegro by George Frideric Handel, Marcel Ponseele, Il Gardellino to be Moderato (at a moderate speed) because the track has a tempo of 118 BPM, a half-time of 59BPM, and a double-time of 236 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in F Major, S. 235: 3. Presto | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 2 | 12B | 114 BPM | ||
Acis and Galatea, HWV 49a, Act II: Would You Gain The Tender Creature (Coridon) | George Frideric Handel, John Gay, Ovid, The Sixteen, Harry Christophers, Simon Berridge | A Major | 2 | 11B | 129 BPM | ||
Phaëton, LWV 61: Ritournelle "Le printemps" | Jean-Baptiste Lully, Tafelmusik Baroque Orchestra, Jeanne Lamon | A♭ Major | 4 | 4B | 77 BPM | ||
Joseph and his Brethren HWV 59, Symphony: III. Allegro | George Frideric Handel, La Sfera Armoniosa, Mike Fentross | B Major | 3 | 1B | 181 BPM | ||
Pergolesi: Flute Concerto in G Major, P. 33: III. Allegro spiritoso (Also Attributed to Paganelli) | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Karl Ristenpart, Kammerorchester des Saarländischen Rundfunks | G Major | 2 | 9B | 119 BPM | ||
Madrigals to Foure Voyces (1594) - XVIII: Ho! Who comes here? | Thomas Morley, Alfred Deller, Deller Consort | C Major | 2 | 8B | 154 BPM | ||
Sonata II In G Minor: V. Aria (Muffat) | Georg Muffat, Masques, Olivier Fortin | A Major | 1 | 11B | 125 BPM | ||
Sonata in C Minor, Jung III.2.B: I. Largo | Johann Georg Pisendel, Concerto Köln, Mayumi Hirasaki | B Minor | 1 | 10A | 96 BPM | ||
Concerto in C major for violoncello piccolo, strings and b.c.: Allegro | Giovanni Battista Sammartini, Camerata Köln | F♯ Major | 2 | 2B | 133 BPM | ||
Concerto di Flauti, S.D945: II. Allegro | Alessandro Marcello, Dorothee Oberlinger | C Major | 1 | 8B | 138 BPM |
Section: 0.878490686416626
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