"By an’ by / There is a Balm in Gilead (Arr. for Countertenor and Piano by Baptiste Trotignon and Harry Burleigh)" by Anonymous, Reginald Mobley, Baptiste Trotignon was released on May 26, 2023. With this song being about 5 minutes long, at 4:56, "By an’ by / There is a Balm in Gilead (Arr. for Countertenor and Piano by Baptiste Trotignon and Harry Burleigh)" by Anonymous, Reginald Mobley, Baptiste Trotignon is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 15 out of 17 in Because by Reginald Mobley, Baptiste Trotignon. Going off of the ISRC code of this track, we detected that the origin of this track is from France. The popularity of By an’ by / There is a Balm in Gilead (Arr. for Countertenor and Piano by Baptiste Trotignon and Harry Burleigh) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of By an’ by / There is a Balm in Gilead (Arr. for Countertenor and Piano by Baptiste Trotignon and Harry Burleigh) by Anonymous, Reginald Mobley, Baptiste Trotignon is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salve Regina | Coro De La Abadía Benedictina De Santo Domingo De Silos | D Major | 1 | 10B | 76 BPM | ||
Shen Khar Venakhi | KITKA Women's Vocal Ensemble | D Major | 1 | 10B | 85 BPM | ||
Sacris solemnis - hymn z uroczystości najświętszego ciała i krwi Chrystusa | Schola Cantorum Gymevensis | C Minor | 1 | 5A | 121 BPM | ||
Te lucis ante terminum (Festal Tone) | Thomas Tallis, Amarcord | D Major | 1 | 10B | 182 BPM | ||
Salmo VI del Oficio de difuntos | Isaac Albéniz, Tansy Castledine, Carlos Fernandez Aransay | F Minor | 1 | 4A | 132 BPM | ||
Largire nunc mitissime | Jacob Obrecht, Cappella Mariana, Vojtěch Semerád | C Major | 2 | 8B | 95 BPM | ||
Psalm 132: "Ecce Quam Bonum et Quam Iucundum - Remastered | The Monks of Pluscarden Abbey | F Major | 1 | 7B | 173 BPM | ||
Kondak Akafista St. Blz. | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 134 BPM | ||
Gloria V - In Nativitate Domini ad Missam in die | Gregorian Chant, Schola of the Hofburgkapelle, Vienna, Hubert Dopf S.J. | B Minor | 0 | 10A | 84 BPM | ||
Pueri Hebraeorum Portantes. Antífona (Modo I) | Anonymous, Coro De Monjes Del Monasterio De Silos | E Minor | 1 | 9A | 119 BPM |
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