"Gaite Parisienne (after J. Offenbach): 8.Valse lente" by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra was released on July 8, 1999. With this song being around four minutes long, at 3:53, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 28 in the song's album "Offenbach / Rosenthal: Gaite Parisienne / Offenbachiana". In this album, this song's track order is #9. Gaite Parisienne (after J. Offenbach): 8.Valse lente is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Gaite Parisienne (after J. Offenbach): 8.Valse lente by Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Fledermaus: Overture | Johann Strauss II, Wiener Philharmoniker, Karl Böhm | D Major | 5 | 10B | 116 BPM | ||
21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) | Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar | D Minor | 2 | 7A | 75 BPM | ||
Venetianer-Galopp, Op. 74 | Johann Strauss I, Riccardo Muti, Wiener Philharmoniker | B Major | 3 | 1B | 79 BPM | ||
Gaite Parisienne (after J. Offenbach): Ouverture | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 2 | 10B | 123 BPM | ||
Gaite Parisienne (after J. Offenbach): 14. Valse | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 1 | 10B | 83 BPM | ||
Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian": 1. Allegro vivace | Felix Mendelssohn, Wiener Philharmoniker, Christoph von Dohnányi | A Minor | 3 | 8A | 96 BPM | ||
Grieg: Norwegian Dances, Op. 35: No. 3, Allegro moderato alla marcia | Edvard Grieg, Estonian National Symphony Orchestra, Paavo Järvi | D Major | 1 | 10B | 111 BPM | ||
Così fan tutte, K.588: Overture | Wolfgang Amadeus Mozart, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 132 BPM | ||
Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 : Wein, Weib Und Gesang! (Wine, Woman And Song!), Op. 333 | Strauss Festival Orchestra, Johann Strauss II | B♭ Major | 1 | 6B | 98 BPM | ||
Variations on "I got Rhythm" for Piano and Orchestra | George Gershwin, Werner Haas, Orchestre National de l'Opéra de Monte-Carlo, Edo de Waart | F Major | 3 | 7B | 118 BPM |
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