Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar's '21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen)' came out on June 25, 1988. The duration of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) is about two minutes long, specifically at 2:34. This song does not appear to have any foul language. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Brahms: Hungarian Dances Nos. 1-21 by Johannes Brahms, Istvan Bogar. 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 21 Hungarian Dances, WoO 1 (version for orchestra): Hungarian Dance No. 2 (orch. A. Hallen) by Johannes Brahms, Budapest Symphony Orchestra, Istvan Bogar is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Stars And Stripes Forever | Howard Hanson | D Major | 6 | 10B | 134 BPM | ||
10 Hungarian Dances, Woo 1 (Version For Piano): No. 4 In F Sharp Minor | Johannes Brahms, Idil Biret | F♯ Minor | 1 | 11A | 92 BPM | ||
Hungarian Dance No.15 In B Flat | Johannes Brahms, Wiener Philharmoniker, Claudio Abbado | B♭ Major | 1 | 6B | 88 BPM | ||
Perpetuum Mobile, Op. 257 | Johann Strauss II, Carl Michalski, Vienna Volksoper Orchestra | E♭ Major | 2 | 5B | 157 BPM | ||
5 Lieder, Op. 49: No. 4. Wiegenlied (arr. P. Nagy): Cradle Song (trans. P. Nagy) | Péter Nagy, Johannes Brahms | E♭ Major | 0 | 5B | 134 BPM | ||
Ein Sommernachtstraum, Op. 61, MWV M13: Act II: Entr'acte: Scherzo | Felix Mendelssohn, Slovak Philharmonic, Anthony Bramall | F Major | 1 | 7B | 60 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Khachaturian : Gayaneh Suite No.1 : II Dance of the Young Maidens | Aram Khachaturian, Alexander Lazarev, The Bolshoi Symphony Orchestra | E Minor | 1 | 9A | 114 BPM | ||
Gavotte (Paride ed Elena) | Christoph Willibald Gluck, Johannes Brahms, Matti Raekallio | A Major | 0 | 11B | 98 BPM | ||
Five pieces for Two Violins and Piano: V. Polka- Vivace | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | B Minor | 0 | 10A | 82 BPM |
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