Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano
George Frideric Handel, Théophile Alexandre, Guillaume Vincent
ADN Baroque
3:18 September 14, 2018
BPM
79
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano - George Frideric Handel, Théophile Alexandre, Guillaume Vincent Information

Acousticness
97%
Danceability
44%
Energy
28%
Instrumentalness
0%
Liveness
11%
Loudness
75%
Speechiness
5%
Valence
71%
Popularity
Loudness
-14.747 dB

Summary

George Frideric Handel, Théophile Alexandre, Guillaume Vincent made "Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano" available on September 14, 2018. The duration of Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano is about 3 minutes long, at 3:18. Based on our data, "Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 14 out of 21 in ADN Baroque by Théophile Alexandre, Guillaume Vincent. Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.

Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano BPM

The tempo marking of Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano by George Frideric Handel, Théophile Alexandre, Guillaume Vincent is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Giulio Cesare in Egitto, HWV 17: Domerò la tua fierezza - Arr. for Voice & Piano Key

This song is in the music key of E♭ Minor. Because this track belongs in the E♭ Minor key, the camelot key is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Les Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les Arts by Jean-Philippe Rameau, Teodor CurrentzisLes Boréades, RCT 31, Acte IV, Scène IV: Entrée pour les Muses, les Zéphyres, les Saisons, les Heures et les ArtsJean-Philippe Rameau, Teodor CurrentzisD♭ Major13B130 BPM
Pièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. Lentement by Marin Marais, Mieneke van der Velden, Glen WilsonPièces de viole, Livre 3 - Suite No. 7 in G Major: No. 92. Prélude. LentementMarin Marais, Mieneke van der Velden, Glen WilsonE♭ Minor02A120 BPM
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonLe bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et ArlequinsJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Major02B0 BPM
Alcidiane: Ouverture by Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonAlcidiane: OuvertureJean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin MallonF♯ Minor111A98 BPM
Purcell: Trumpet Sonata in D Major, Z. 850: I. Allegro by Henry Purcell, Alison Balsom, Balsom EnsemblePurcell: Trumpet Sonata in D Major, Z. 850: I. AllegroHenry Purcell, Alison Balsom, Balsom EnsembleD♭ Major33B101 BPM
Rinaldo / Act 3: Recitativo: Quivi par che rubella by George Frideric Handel, Daniel Taylor, Bernarda Fink, Academy of Ancient Music, Christopher HogwoodRinaldo / Act 3: Recitativo: Quivi par che rubellaGeorge Frideric Handel, Daniel Taylor, Bernarda Fink, Academy of Ancient Music, Christopher HogwoodB♭ Minor23A131 BPM
Concerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e piano by George Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville MarrinerConcerto grosso No. 12 in B Minor, Op. 6/12, HWV 330: III. Larghetto, e pianoGeorge Frideric Handel, Trevor Connah, Raymond Keenlyside, Thurston Dart, Sir Andrew Davis, Academy of St. Martin in the Fields, Sir Neville MarrinerG Minor16A169 BPM
Mass No. 7 in B-Flat Major, Hob. XXII:7, Mass No. 7 in B-Flat Major, Hob. XXII:7, "Missa brevis Sancti Joannis de Deo", "Kleine Orgelsolomesse" (Little Organ Mass): KyrieJoseph Haydn, Ann Hoyt, Trinity Church Choir, New York, Dongsok Shin, Rebel Baroque Orchestra, Owen BurdickB♭ Major26B99 BPM
Mendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2) by Franz Liszt, Joseph BanowetzMendelssohns Lieder, S. 547: Auf Flugeln des Gesanges (from Op. 34, No. 2)Franz Liszt, Joseph BanowetzA♭ Major04B149 BPM
Violin Concerto in B-Flat Major, Op. 10 No. 1: I. Allegro by Jean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester BaselViolin Concerto in B-Flat Major, Op. 10 No. 1: I. AllegroJean-Marie Leclair, Leila Schayegh, La Cetra Barockorchester BaselA Major111B99 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.6802513599395752

End: 0.6846871376037598