Leonard Bernstein, Kent Overshown, Benjamin Krumreig, Bryonha Marie Parham, Devin Ilaw, J.D. Webster, E. Clayton Cornelious, Morgan James, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, Temple University Concert Choir's 'Mass / IV. Confession: III. Trope: "Easy" - Live' came out on March 16, 2018. With this song being about 5 minutes long, at 5:02, "Mass / IV. Confession: III. Trope: "Easy" - Live" by Leonard Bernstein, Kent Overshown, Benjamin Krumreig, Bryonha Marie Parham, Devin Ilaw, J.D. Webster, E. Clayton Cornelious, Morgan James, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, Temple University Concert Choir is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 11 out of 39 in Bernstein: Mass (Live) by Leonard Bernstein, Philadelphia Orchestra, Yannick Nézet-Séguin. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Mass / IV. Confession: III. Trope: "Easy" - Live's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass / IV. Confession: III. Trope: "Easy" - Live by Leonard Bernstein, Kent Overshown, Benjamin Krumreig, Bryonha Marie Parham, Devin Ilaw, J.D. Webster, E. Clayton Cornelious, Morgan James, Philadelphia Orchestra, Yannick Nézet-Séguin, Westminster Symphonic Choir, Temple University Concert Choir is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Scheherazade: The Sea & Sinbad's Ship | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 1 | 12B | 82 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
The Firebird Suite (1919 Version): VII. Finale | Igor Stravinsky, Leonard Bernstein, New York Philharmonic | D♭ Minor | 2 | 12A | 73 BPM | ||
Scheherazade: Calm at Sea | Nikolai Rimsky-Korsakov, Joakim Svenheden | E Major | 2 | 12B | 84 BPM | ||
Symphony No. 2 in D Major, Op. 43: I. Allegretto | Jean Sibelius, Leonard Bernstein, New York Philharmonic | B♭ Major | 3 | 6B | 98 BPM | ||
Prince Igor (Knyaz Igor): Act II: Dance of the Polovtsian Maidens | Alexander Borodin, Angelina Shvachka, Dmytro Popov, Mykola Koval, Taras Shtonda, Mykola Hobdych, Kiev Chamber Choir, Ukraine National Radio Symphony Orchestra, Theodore Kuchar | F Major | 2 | 7B | 95 BPM | ||
Le carnaval des animaux, R. 125: 1. Introduction et Marche royale du Lion | Camille Saint-Saëns, Leonard Bernstein, New York Philharmonic | G Major | 3 | 9B | 178 BPM | ||
Reenah | Anonymous, Leonard Bernstein, Rochester Singers, Samuel Adler | D♭ Major | 1 | 3B | 109 BPM | ||
Serenade for String Orchestra, Op. 11: I. Preludium: Allegro molto | Dag Wirén, Bournemouth Sinfonietta, Richard Studt | C Major | 1 | 8B | 129 BPM | ||
Capriol Suite: 4. Bransles | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 2 | 9B | 156 BPM |
Section: 0.6404838562011719
End: 0.6467690467834473