"Mille cherubini in coro" by Alois Melichar, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler was released on January 1, 1976. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 11 in the song's album "O Holy Night". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. The popularity of Mille cherubini in coro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mille cherubini in coro by Alois Melichar, Luciano Pavarotti, National Philharmonic Orchestra, Kurt Herbert Adler having a BPM of 175 with a half-time of 88 BPM and a double-time of 350 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 5/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adeste Fideles (O come, all ye faithful) | Choir of King's College, Cambridge, David Briggs, Stephen Cleobury | G Major | 1 | 9B | 136 BPM | ||
Adeste Fideles | Il Divo | F Major | 4 | 7B | 80 BPM | ||
O di Betlemme, altera poverta ventu: I. Sinfonia | Alessandro Scarlatti, Maya Boog, Cologne Chamber Orchestra, Helmut Muller-Bruhl | A Major | 0 | 11B | 77 BPM | ||
The very best time of year | John Rutter, City of London Sinfonia, The Cambridge Singers | C Major | 1 | 8B | 72 BPM | ||
Hymne a la nuit (arr. J. Noyon): La nuit , The Night | Jean-Philippe Rameau, Joseph Noyon, La Petite Bande De Montréal, Martin Dagenais | D♭ Major | 2 | 3B | 142 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Emma Kirkby, Winchester College Quiristers, Winchester Cathedral Choir, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 87 BPM | ||
In Paradisum (from "Requiem", Op. 48) | Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra | D♭ Major | 2 | 3B | 65 BPM | ||
Carol of the Drum (The Little Drummer Boy) | Katherine K. Davis, José Carreras, Plácido Domingo, Steven Mercurio, Wiener Symphoniker | C Minor | 3 | 5A | 75 BPM | ||
Franck: Mass, Op. 12, FWV 61: Panis Angelicus | César Franck, Choir of King's College, Cambridge, Tom Winpenny, Stephen Cleobury | A♭ Major | 1 | 4B | 79 BPM | ||
Comfort Ye My People | George Frideric Handel, Andrew Davis, Toronto Mendelssohn Choir, Elmer Iseler Singers, Florence Quivar, John Aler, Samuel Ramey, Kathleen Battle, Toronto Symphony Orchestra | B Major | 0 | 1B | 86 BPM |
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