"In Paradisum (from "Requiem", Op. 48)" by Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra was released on January 1, 2008. The duration of In Paradisum (from "Requiem", Op. 48) is about 3 minutes long, at 3:14. Based on our data, "In Paradisum (from "Requiem", Op. 48)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 12 in the song's album "Sacred Arias". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In Paradisum (from "Requiem", Op. 48) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With In Paradisum (from "Requiem", Op. 48) by Gabriel Fauré, Katherine Jenkins, Nicholas Dodd, The London Session Orchestra having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Vivaldi: The Four Seasons, Violin Concerto in F Minor, Op. 8 No. 4, RV 297 "Winter": II. Largo | Antonio Vivaldi, Renaud Capuçon, Orchestre de Chambre de Lausanne | E♭ Major | 1 | 5B | 94 BPM | ||
A Gaelic Blessing | John Rutter, Michael Leighton Jones, Joshua van Konkelenberg, The Choir of Trinity College, Melbourne | E Major | 1 | 12B | 80 BPM | ||
Deep Peace | Aled Jones | E Major | 1 | 12B | 83 BPM | ||
Josquin Des Pres: Ave Maria | Josquin des Prez, The Sixteen, Harry Christophers | D Minor | 2 | 7A | 89 BPM | ||
Tallis: Canon | Thomas Tallis, Libera, Fiona Pears, The City of Prague Philharmonic Orchestra, Robert Prizeman | A♭ Major | 2 | 4B | 144 BPM | ||
Prizeman, Beethoven: Joyful, Joyful, We adore Thee (After Beethoven's Ode to Joy from Symphony No. 9 in D Minor, Op. 125) [Live] | Ludwig van Beethoven, Libera, Robert Prizeman | F♯ Major | 3 | 2B | 113 BPM | ||
Ave Maria | Johann Sebastian Bach, Charles Gounod, Hayley Westenra | G Major | 1 | 9B | 82 BPM | ||
Lullabye (Goodnight my angel) | Libera/Robert Prizeman/Ian Tilley/Steven Geraghty/Fiona Pears/Benedict Philipp/Joshua Madine/Jakob de Menenzes-Wood | E♭ Major | 1 | 5B | 144 BPM | ||
Ave Maria | The London Philharmonic Orchestra - Deborah Sasson, The New London Choir | A♭ Major | 2 | 4B | 154 BPM | ||
Messiah / Part 1: "Comfort ye, My people... Ev'ry Valley shall be exalted" | George Frideric Handel, Philip Langridge, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 2 | 12B | 108 BPM |
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