- BPM
- 73
- Key
- F Major
- Camelot
- 7B
Andante No 2 - The Nun's Hymn - Louis James Alfred Lefébure-Wély, William McVicker Information
- Acousticness
- 50%
- Danceability
- 10%
- Energy
- 0%
- Instrumentalness
- 93%
- Liveness
- 10%
- Loudness
- 35%
- Speechiness
- 6%
- Valence
- 22%
- Popularity
- 15%
- Loudness
- -39.268 dB
Summary
Louis James Alfred Lefébure-Wély, William McVicker's 'Andante No 2 - The Nun's Hymn' came out on 1997. The duration of Andante No 2 - The Nun's Hymn is about 3 minutes long, at 3:14. Based on our data, "Andante No 2 - The Nun's Hymn" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in William McVicker's "Great Organ Classics" album is number 2 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Andante No 2 - The Nun's Hymn is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Andante No 2 - The Nun's Hymn BPM
We consider the tempo marking of Andante No 2 - The Nun's Hymn by Louis James Alfred Lefébure-Wély, William McVicker to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
Andante No 2 - The Nun's Hymn Key
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM | |
 | Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Buffalo Philharmonic Orchestra, Joann Falletta | D♭ Minor | 1 | 12A | 130 BPM | |
 | Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | |
 | Peer Gynt Suite No.1 op. 46 Morning (Allegro pastorale) | Academy of St. Martin in the Fields | E Major | 0 | 12B | 68 BPM | |
 | Clarinet Quintet in A Major: Clarinet Quintet in A Major: I. Allegro | Wolfgang Amadeus Mozart, Arcanto Quartett, Jörg Widmann | A Major | 1 | 11B | 116 BPM | |
 | Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | |
 | Sinfonia in D Major, "La Veneziana": I. Allegro assai | Antonio Salieri, Chopin Chamber Orchestra, Winston Dan Vogel | D Major | 1 | 10B | 108 BPM | |
 | Cinderella Suite No. 1, Op. 107: VII. Cinderella's Waltz | Sergei Prokofiev, Ukrainian State Symphony Orchestra, Theodore Kuchar | G Major | 3 | 9B | 194 BPM | |
 | Terpsichore*: Ballet | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | B♭ Major | 0 | 6B | 126 BPM | |
 | Suite Gothique, Op. 25: I. Introduction - Choral. Maestoso | Léon Boëllmann, Ian Tracey | F Minor | 1 | 4A | 66 BPM |
- ISRC
- GBARU9700210
- Label
- L-M Records/RCA Records
Section: 1.076012134552002
End: 1.0804259777069092