"Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля" by Михаил Гнесин, Светлана Степченко, Зоя Аболиц, Борис Степанов, Юрий Бабий, Наталья Герасимова was released on December 3, 2003. The duration of Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля's duration is considered a little bit shorter than the average duration of a typical track. There is only one song in Три века русского альта: Игрой на струнах хвалите Господа! (Еврейская классическая музыка XX века для альта), so we believe that "Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля" is a single. In terms of popularity, Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Еврейские песни, Опус 37: № 2, Песенка Мариамны из трагедии Хеббеля "Ирод и Мариамна" - Без слов, обр. для ансамбля by Михаил Гнесин, Светлана Степченко, Зоя Аболиц, Борис Степанов, Юрий Бабий, Наталья Герасимова is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Delibes: Les Filles de Cadix | Léo Delibes, Fatma Said | F♯ Minor | 1 | 11A | 87 BPM | ||
Carmina Burana: In trutina | Carl Orff, Lucia Popp, Kurt Eichhorn | E♭ Minor | 1 | 2A | 62 BPM | ||
When I Am Laid In Earth (Dido's Lament) | Henry Purcell, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | F♯ Minor | 0 | 11A | 72 BPM | ||
Chants de Terre et de Ciel: No. 2, Antienne du silence (pour le jour des Anges gardiens) | Olivier Messiaen, Barbara Hannigan, Bertrand Chamayou | A Major | 2 | 11B | 80 BPM | ||
Petite messe solennelle: Agnus Dei | Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Delphine Galou | C Major | 1 | 8B | 74 BPM | ||
Les chemins de l'amour, FP 106 | Francis Poulenc, Jessye Norman, Dalton Baldwin | D♭ Major | 1 | 3B | 77 BPM | ||
Frühling | Fanny Mendelssohn, Sivan Goldman, Shira Shaked | F♯ Major | 2 | 2B | 86 BPM | ||
Brahm's Lullaby | Johannes Brahms, Cheri Rose Katz | A Major | 2 | 11B | 153 BPM | ||
Samson et Dalila, Op.47, R. 288 / Act 1: "Printemps qui commence" | Camille Saint-Saëns, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E Major | 0 | 12B | 83 BPM | ||
Clairieres dans le ciel: Elle etait descendue | Lili Boulanger, Emile Naoumoff, Isabelle Sabrie | A Major | 0 | 11B | 66 BPM |
Section: 0.6249608993530273
End: 0.6294617652893066