Francis Poulenc, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit made "Le Bestiare, ou Le Cortège d'Orphée: 5. L'Ecrevisse" available on January 1, 1996. With Le Bestiare, ou Le Cortège d'Orphée: 5. L'Ecrevisse being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 41 in the song's album "Poulenc: Le bal masqué/Chamber Works". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Le Bestiare, ou Le Cortège d'Orphée: 5. L'Ecrevisse's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Le Bestiare, ou Le Cortège d'Orphée: 5. L'Ecrevisse by Francis Poulenc, Francois Le Roux, Soloistes De L'Orchestre National De France, Charles Dutoit having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
Love's Labour's Lost, Op. 28a: II. Longaville's Sonnet | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | D Minor | 0 | 7A | 94 BPM | ||
Nocturne No.6 In G Minor, Op.15 No.3 | Frédéric Chopin, Maurizio Pollini | D Minor | 0 | 7A | 105 BPM | ||
Henry V: Henry V: Touch her soft lips and part | William Walton, The Cambridge Singers, Aurora Orchestra, John Rutter | C Major | 0 | 8B | 82 BPM | ||
Symphony in B Minor (arr. T. Finno for orchestra): II. Un poco lento, cantabile | Claude Debussy, Tony Finno, Orchestre National De Lyon, Jun Markl | D Major | 1 | 10B | 72 BPM | ||
Massenet: Mélodie-Elégie, Op. 10 No. 5 from "Les Erinnyes" | Jules Massenet, Edgar Moreau, Pierre-Yves Hodique | E Minor | 0 | 9A | 73 BPM | ||
3 Preludi Sopra Melodie Gregoriane, P. 131: I. Molto Lento | Ottorino Respighi, Konstantin Scherbakov | A♭ Minor | 0 | 1A | 70 BPM | ||
Nocturne No. 6 in G Minor, Op. 15 No. 3 | Frédéric Chopin, Daniel Barenboim | D Minor | 0 | 7A | 132 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: I. Prelude. Allegro moderato | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 113 BPM | ||
Le Bal Masqué - Poèmes de Max Jacob: 6. Finale | Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit | B♭ Major | 7 | 6B | 120 BPM |
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