Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit made "Le Bal Masqué - Poèmes de Max Jacob: 6. Finale" available on January 1, 1996. With this song being around four minutes long, at 4:20, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 41 in the song's album "Poulenc: Le bal masqué/Chamber Works". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Le Bal Masqué - Poèmes de Max Jacob: 6. Finale's popularity is not that popular right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Le Bal Masqué - Poèmes de Max Jacob: 6. Finale by Francis Poulenc, Francois Le Roux, Pascal Rogé, Soloistes De L'Orchestre National De France, Charles Dutoit having a BPM of 120 with a half-time of 60 BPM and a double-time of 240 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
B♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pictures at an Exhibition: Promenade. Moderato commodo assai e con delicatezza - attacca | Modest Mussorgsky, Ivo Pogorelich | D♭ Minor | 0 | 12A | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
9 Preludes, Op. 1: No. 2 in D Minor. Andante con moto | Karol Szymanowski, Krystian Zimerman | F Major | 1 | 7B | 150 BPM | ||
Concerto for 2 Pianos and Orchestra in D minor, FP 61: 3. Finale (Allegro molto) | Francis Poulenc, Sylviane Deferne, Pascal Rogé, Philharmonia Orchestra, Charles Dutoit | F♯ Minor | 0 | 11A | 84 BPM | ||
Premier Nocturne, Op. 22 | Charles-Valentin Alkan, Michael Landrum | B Major | 0 | 1B | 135 BPM | ||
16 Waltzes, Op. 39 (1867 version): No. 15 in A-Flat Major | Johannes Brahms, Idil Biret | A♭ Minor | 3 | 1A | 111 BPM | ||
Sonata In G Minor For Cello & Piano, Op. 19: 3. Andante | Sergei Rachmaninoff, Alisa Weilerstein, Inon Barnatan | F Major | 2 | 7B | 82 BPM | ||
Montparnasse, FP 127 No. 1 | Francis Poulenc, Felicity Lott, Pascal Rogé | D♭ Major | 1 | 3B | 66 BPM | ||
Four Fairy Tales (Skazki), Op.26: No.3 In F Minor | Nikolai Medtner, Anna Gourari | F Minor | 0 | 4A | 62 BPM | ||
Japanese Suite, Op. 33: I. Prelude: Song of the Fisherman | Gustav Holst, Ulster Orchestra, Joann Falletta | B♭ Major | 0 | 6B | 134 BPM |
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