Johann Pachelbel, BURAK, Musica Sequenza's 'Chaconne in F minor, P 43: Ciacona' came out on June 4, 2021. The duration of Chaconne in F minor, P 43: Ciacona is about two minutes long, specifically at 2:44. This song does not appear to have any foul language. Chaconne in F minor, P 43: Ciacona's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 17 in Bach Opium by Christian Forshaw, Grace Davidson, Franz Liszt, Jonas Kaufmann, Stefan Temmingh, Capricornus Consort Basel, Carl Philipp Emanuel Bach, Nevermind, Quatuor Ébène, BURAK, Musica Sequenza, Diana Ramirez. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. The popularity of Chaconne in F minor, P 43: Ciacona is currently not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
The tempo marking of Chaconne in F minor, P 43: Ciacona by Johann Pachelbel, BURAK, Musica Sequenza is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Notturno for Strings and Harp | Arnold Schoenberg, Daniel Hope, Zürcher Kammerorchester, Jane Berthe | A♭ Major | 1 | 4B | 75 BPM | ||
The Piano: The Heart Asks Pleasure First | Michael Nyman, Jean-Yves Thibaudet | G Major | 3 | 9B | 182 BPM | ||
Partie 5 en si bémol majeur: Sonata | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 2 | 11B | 82 BPM | ||
The Carnival of the Animals, R. 125: XIII. The Swan (Arr. for Cello and Piano) | Camille Saint-Saëns, Yo-Yo Ma, Kathryn Stott | G Major | 0 | 9B | 66 BPM | ||
Lakmé: Flower Duet | Léo Delibes, Olga Kharitonova | C Major | 1 | 8B | 122 BPM | ||
Minuet 3 - J.S. Bach | Markus Porsklev | G Major | 0 | 9B | 158 BPM | ||
Dvořák: 4 Romantic Pieces, Op. 75, B. 150: No. 1, Allegro moderato | Antonín Dvořák, Renaud Capuçon, Khatia Buniatishvili | B♭ Major | 1 | 6B | 107 BPM | ||
Csardas | Vittorio Monti, Robert Koenig, Si-Qing Lu | D Major | 1 | 10B | 175 BPM |
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