"The Piano: The Heart Asks Pleasure First" by Michael Nyman, Jean-Yves Thibaudet was released on May 2, 2024. The duration of The Piano: The Heart Asks Pleasure First is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. The Piano: The Heart Asks Pleasure First's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 96 in the song's album "Patterns in Motion: The Great Minimalists". In this album, this song's track order is #37. Furthermore, we believe that the track originated from United Kingdom. The popularity of The Piano: The Heart Asks Pleasure First is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Piano: The Heart Asks Pleasure First by Michael Nyman, Jean-Yves Thibaudet having a BPM of 182 with a half-time of 91 BPM and a double-time of 364 BPM, we would consider this track to have a Presto (very, very fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | ||
Valse Brillante In A-flat Major, Op. 34, No. 1 | Jean-Yves Thibaudet | A♭ Major | 1 | 4B | 107 BPM | ||
Thais, Act II: Meditation (version for violin and piano) | Jules Massenet, Amy Schwartz Moretti, Elizabeth Pridgen | E Minor | 2 | 9A | 66 BPM | ||
Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Schwanengesang, S. 560: Schubert - Schwanengesang, S. 560/R. 245: No. 7, Standchen (Leise flehen meine Lieder) [After F. Schubert] | Franz Liszt, Oxana Yablonskaya | D Major | 0 | 10B | 66 BPM | ||
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Funeral Ikos | John Tavener, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs | F Minor | 1 | 4A | 77 BPM | ||
Lieder ohne Worte, Op. 19: No. 6 Andante sostenuto "Venetianisches Gondellied" (Arr. Ottensamer for Clarinet and Strings) | Felix Mendelssohn, Andreas Ottensamer, Schumann Quartett, Gunars Upatnieks | G Minor | 0 | 6A | 84 BPM | ||
The Heart Asks Pleasure First (From "The Piano") | Michael Nyman, Ksenia Bashmet | A Minor | 1 | 8A | 64 BPM |
Section: 0.5362417697906494
End: 0.5405898094177246