"Haunted - From "Haunted"" by The Orchestra of the Guildhall School, Debbie Wiseman was released on March 24, 2017. Since Haunted - From "Haunted" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 9 out of 16 in Debbie Wiseman (Live at the Barbican) by Debbie Wiseman & The Orchestra of the Guildhall School. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, Haunted - From "Haunted"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Haunted - From "Haunted" by The Orchestra of the Guildhall School, Debbie Wiseman is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Purpose | Orion King | B♭ Minor | 2 | 3A | 79 BPM | ||
Eixos Teus Ulls - Instrumental | Scala Paradisi, M.G. Tuna de Derecho de Valencia | C Major | 2 | 8B | 68 BPM | ||
Gandalf, the Wizard | Johan de Meij | D Minor | 1 | 7A | 147 BPM | ||
Samson et Dalila, Op. 47, R. 288: Bacchanale | Camille Saint-Saëns, Lorin Maazel, Pittsburgh Symphony Orchestra | A Minor | 1 | 8A | 122 BPM | ||
Taking Sides On The Issue | Randy Edelman | C Major | 3 | 8B | 0 BPM | ||
Going Home (From "Stargate") | David Arnold, Cincinnati Pops Orchestra, Erich Kunzel | A♭ Major | 3 | 4B | 85 BPM | ||
Pictures At An Exhibition: Promenade I | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | F Major | 1 | 7B | 79 BPM | ||
Dance of the Hours from Act III of "La Gioconda" | Amilcare Ponchielli, Philadelphia Orchestra, Eugene Ormandy | E Major | 1 | 12B | 130 BPM | ||
Pride and Prejudice Opening Titles (From the 1995 BBC Adaptation) - Piano Arrangement | The Belle Society Players | B♭ Major | 1 | 6B | 114 BPM | ||
The Pig and the Farmer | Melbourne Symphony Orchestra, Nigel Westlake | A♭ Major | 1 | 4B | 95 BPM |
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