"Tosca (1997 Digital Remaster), Act III: E lucevan le stelle" by Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre, Carlo Bergonzi was released on 2003. The duration of Tosca (1997 Digital Remaster), Act III: E lucevan le stelle is about 3 minutes long, at 3:05. Based on our data, "Tosca (1997 Digital Remaster), Act III: E lucevan le stelle" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 37 in Classical Heartbreakers by Various Artists. Based on our statistics, Tosca (1997 Digital Remaster), Act III: E lucevan le stelle's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Tosca (1997 Digital Remaster), Act III: E lucevan le stelle by Orchestre De La Société Des Concerts Du Conservatoire, Georges Prêtre, Carlo Bergonzi is Allegro (fast, quick, and bright), since this song has a tempo of 128 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of B Minor. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner: Tristan und Isolde, WWV 90, Act 3, Final Scene: "Mild und leise wie er lächelt" (Isolde) | Richard Wagner, Nina Stemme, Orchestra of the Royal Opera House, Covent Garden, Antonio Pappano, Ian Bostridge | B Major | 1 | 1B | 180 BPM | ||
Ravel: Ma mère l'Oye, M. 62: VI. Laideronnette, impératrice des pagodes | Maurice Ravel, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 0 | 9B | 147 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Requiem Op. 48 (1998 Digital Remaster): I. Introït et Kyrie | Gabriel Fauré, Dietrich Fischer-Dieskau, Victoria de los Ángeles, Choeurs Elisabeth Brasseurs, Henriette Puig-Roget, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire, Christopher Thorn | A Minor | 1 | 8A | 120 BPM | ||
Mass No. 2 in G Major, D. 167: VI. Agnus Dei | Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener Staatsoper | E Minor | 0 | 9A | 73 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Rossini: Guillaume Tell, Act 2 Scene 2: "Sombre forêt" (Mathilde) | Gioachino Rossini, Montserrat Caballé | A♭ Major | 1 | 4B | 74 BPM | ||
Satie: Parade: Prélude du rideau rouge | Erik Satie, Louis Auriacombe, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 2 | 12B | 113 BPM | ||
Se Florindo è fedele (from "La donna ancora è fedele") | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | A♭ Major | 1 | 4B | 75 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Introduction. "Ma colombe, entends-tu pas ma voix qui résonne ?" (Alfred, Arlette) | Johann Strauss II, Franck Pourcel, Liliane Berton, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 1 | 8B | 162 BPM |
Section: 0.7503242492675781
End: 0.7547369003295898