Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé - Claude Debussy, Isang Enders, Sun-Wook Kim Information

Acousticness: 98%
Danceability: 44%
Energy: 2%
Instrumentalness: 91%
Liveness: 10%
Loudness: 55%
Speechiness: 5%
Valence: 12%
Popularity: 1%
Loudness: -27.151 dB

Summary

"Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé" by Claude Debussy, Isang Enders, Sun-Wook Kim was released on April 24, 2020. The duration of Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé is about 3 minutes long, at 3:27. Based on our data, "Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Vox Humana by Isang Enders. The song's track number on the album is #3 out of 16 tracks. Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé BPM

Since Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé by Claude Debussy, Isang Enders, Sun-Wook Kim has a tempo of 86 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé being at 86 BPM, the half-time would be 43 BPM with a double-time of 172 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 3/4.

Sonate pour Violoncelle et Piano, L. 135: II. Sérénade: Modérément animé Key

C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Nocturne	Alexander Borodin, Julian Lloyd Webber, Royal Philharmonic Orchestra, James Judd	D Minor	1	7A	69 BPM
12 Romances, Op. 21: No. 7, How Fair This Spot (Arr. Sheku Kanneh-Mason for Cello and Piano)	Sergei Rachmaninoff, Sheku Kanneh-Mason, Isata Kanneh-Mason	A Major	1	11B	89 BPM
Nocturne No. 1 in E Flat Major, H.24	John Field, Elizabeth Joy Roe	E♭ Major	0	5B	75 BPM
6 Impromptus, Op. 5: Impromptu No. 5 in B Minor	Jean Sibelius, Håvard Gimse	B Minor	0	10A	84 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924	Janos Sebestyen, Johann Sebastian Bach	C Major	2	8B	139 BPM
The Hours: An Unwelcome Friend (From "The Hours")	Philip Glass, Nicolas Horvath	G Minor	0	6A	74 BPM
Serenade for Strings, Op. 22, B. 52 (Excerpts Arr. P. Breiner for Piano): II. Minuet	Antonín Dvořák, Peter Breiner	A Major	0	11B	67 BPM
Lyric Pieces, Book 9, Op. 68: Badnlat (Cradle Song)	Edvard Grieg, Einar Steen-Nøkleberg	E Major	0	12B	112 BPM
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings)	Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog	G Minor	1	6A	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7869064807891846

End: 0.7918977737426758