Tasmanian Symphony Orchestra, Johannes Fritzsch, Melbourne Symphony Orchestra, Benjamin Northey, Basil Holmes, Tom Usher, Frank Parker, William Tope, Harry Benson, Neville Richard, J.M. Grant, Jack Nicholson, Dick Gardiner's 'Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts)' came out on April 3, 2015. Since Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 12 in Anzac Voices: Gallipoli From Those Who Were There by Various Artists. Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Life on Gallipoli (Elegy ‘In memoriam Rupert Brooke, Loch Lomond, Bushes and Briars – Excerpts) by Tasmanian Symphony Orchestra, Johannes Fritzsch, Melbourne Symphony Orchestra, Benjamin Northey, Basil Holmes, Tom Usher, Frank Parker, William Tope, Harry Benson, Neville Richard, J.M. Grant, Jack Nicholson, Dick Gardiner is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Swan Lake, Op. 20 | Tim Fain, Robert Koenig | F♯ Minor | 2 | 11A | 85 BPM | ||
Ave Maria, CG 89a (After Johann Sebastian Bach) | Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene | D♭ Major | 0 | 3B | 61 BPM | ||
Handel: Water Music, Suite No. 2 in D Major, HWV 349: II. Alla Hornpipe | George Frideric Handel, Sir Neville Marriner, Academy of St. Martin in the Fields | D Major | 2 | 10B | 115 BPM | ||
Pachelbel: Canon and Gigue for Three Violins and Continuo in D Major: Canon | Johann Pachelbel, János Rolla, Franz Liszt Chamber Orchestra | E Minor | 4 | 9A | 172 BPM | ||
Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
Schubert: Schwanengesang, D. 957: No. 4 Ständchen | Franz Schubert, Anneleen Lenaerts, Dionysis Grammenos | C Minor | 0 | 5A | 131 BPM | ||
Appalachian Spring - 1945 Suite: 1. Very slowly | Aaron Copland, Los Angeles Philharmonic, Zubin Mehta | A Major | 0 | 11B | 71 BPM | ||
English Pastoral Impressions: I. Spring Morning | John Farrar, Alasdair Mitchell, Philharmonic Orchestra, Howard Shelley | E♭ Major | 0 | 5B | 101 BPM | ||
Chopin: Piano Concerto No. 1 in E Minor, Op. 11: II. Romance. Larghetto (Excerpt) | Frédéric Chopin, Garrick Ohlsson, Jerzy Maksymiuk, Polish National Radio Symphony Orchestra | B Major | 0 | 1B | 83 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 95 BPM |
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