Ave Maria, CG 89a (After Johann Sebastian Bach) - Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene Information

Acousticness: 94%
Danceability: 6%
Energy: 1%
Instrumentalness: 96%
Liveness: 7%
Loudness: 46%
Speechiness: 4%
Valence: 4%
Popularity: 7%
Loudness: -32.324 dB

Summary

"Ave Maria, CG 89a (After Johann Sebastian Bach)" by Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene was released on October 5, 2012. The duration of Ave Maria, CG 89a (After Johann Sebastian Bach) is about 3 minutes long, at 3:01. Based on our data, "Ave Maria, CG 89a (After Johann Sebastian Bach)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Tasmanian Symphony Orchestra's "Halloween Classics" album is number 25 out of 25. On top of that, Australia appears to be the country where this track was created. Ave Maria, CG 89a (After Johann Sebastian Bach) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Ave Maria, CG 89a (After Johann Sebastian Bach) BPM

We consider the tempo marking of Ave Maria, CG 89a (After Johann Sebastian Bach) by Jun Yi Ma, Tasmanian Symphony Orchestra, Andrew Greene to be Larghetto (rather broadly) because the track has a tempo of 61 BPM, a half-time of 30BPM, and a double-time of 122 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.

Ave Maria, CG 89a (After Johann Sebastian Bach) Key

This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Salut d'amour, Op. 12	Edward Elgar, Nicola Benedetti, Petr Limonov	E Major	1	12B	73 BPM
Water Music: Suite No. 2 in D Major, HWV 349, II. Alla Hornpipe	George Frideric Handel, Pierre Boulez, New York Philharmonic	D Major	2	10B	99 BPM
Rosen Aus Dem Süden, Op. 388	Johann Strauss II, Chicago Symphony Orchestra, Fritz Reiner	A Major	5	11B	113 BPM
Violin Concerto in D Major, Op. 77: III. Allegro giocoso, ma non troppo vivace	Johannes Brahms, Takako Nishizaki, Slovak Philharmonic, Stephen Gunzenhauser	F Major	1	7B	91 BPM
The Gadfly Suite, Op. 97a: V. Barrel-Organ Waltz	Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar	B♭ Major	1	6B	105 BPM
Water Music, Suite No. 2, HWV 349: Water Music, Suite No. 2, HWV 349: XII. [Alla Hornpipe]	George Frideric Handel, Akademie für Alte Musik Berlin	D♭ Major	2	3B	132 BPM
XIII. Le cygne (Arr. for Cello & 2 Pianos)	Camille Saint-Saëns, Steven Isserlis	A♭ Minor	1	1A	173 BPM
Elégie in C Minor, Op. 24 (Arr. Parkin)	Gabriel Fauré, Sheku Kanneh-Mason, Rowena Calvert, Ashok Klouda, Nicholas Trygstad, Caroline Dearnley, Desmond Neysmith, Josephine Knight, Hannah Roberts, Chris Murray, Robert Max	A♭ Major	0	4B	88 BPM
Capriol Suite: 5. Pied-en- l'air	Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner	G Major	1	9B	113 BPM
Bizet: Carmen Suite No. 1: III. Intermezzo (Andantino quasi allegretto)	Georges Bizet, Emmanuel Pahud, Yannick Nézet-Séguin, Rotterdam Philharmonic Orchestra	F Major	1	7B	83 BPM

ISRC: AUAB01250487
Label: L-M Records/RCA Records

Section: 0.7153704166412354

End: 0.7205510139465332