Marco Uccellini, Nicholas McGegan, The Arcadian Academy's 'Sonata Seconda "detta La Luciminia contenta" (Book 4)' came out on November 10, 1993. The duration of Sonata Seconda "detta La Luciminia contenta" (Book 4) is about 3 minutes long, at 3:20. Based on our data, "Sonata Seconda "detta La Luciminia contenta" (Book 4)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 18 in the song's album "Uccellini: "La bergamasca"". In this album, this song's track order is #7. Based on our statistics, Sonata Seconda "detta La Luciminia contenta" (Book 4)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Sonata Seconda "detta La Luciminia contenta" (Book 4) by Marco Uccellini, Nicholas McGegan, The Arcadian Academy having a BPM of 125 with a half-time of 62 BPM and a double-time of 250 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Passacaglia in D Minor, BuxWV 161 | Dietrich Buxtehude, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | D Minor | 1 | 7A | 177 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Book 3, Op. 12: No. 20, Chiaccona | Tarquinio Merula, London Baroque | B Major | 3 | 1B | 168 BPM | ||
12 Sonatas, Op. 16, Sonata prima: I. Allegro | Isabella Leonarda, Cappella Strumentale del Duomo di Novara | E♭ Minor | 1 | 2A | 115 BPM | ||
Concerto Grosso No. 5 in D Minor (after D. Scarlatti): II. Allegro | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | D♭ Minor | 2 | 12A | 132 BPM | ||
Sonate, arie et correnti, Op. 3, No. 4 for 2 Violins in G Major "La trasformata" | Marco Uccellini, Conor Gricmanis, Bojan Čičić, Noxwode | B Major | 2 | 1B | 111 BPM | ||
Lambert: Mes jours s'en vont finir | Michel Lambert, Jean Rondeau, Marc Mauillon, Myriam Rignol | F♯ Minor | 1 | 11A | 84 BPM | ||
Sonatæ unarum fidium: Sonata No. 2 | Johann Heinrich Schmelzer, David Irving, Hannah Lane, Tommie Andersson, John O'Donnell, Laura Vaughan | E Major | 2 | 12B | 71 BPM | ||
The Gordion Knot Unty'd, Z. 597: Second Music II: Minuet | Henry Purcell, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 49 BPM | ||
Folias echa para mi Señora Doña Tarolilla de Carallenos | Andrea Falconieri, London Baroque | B Major | 3 | 1B | 78 BPM | ||
Partie 5 en si bémol majeur: Saraband | Johann Pachelbel, Les Cyclopes, Bibiane Lapointe, Thierry Maeder, Manfred Kraemer, Laura Johnson, Nina Diehl | A Major | 1 | 11B | 92 BPM |
Section: 0.6572167873382568
End: 0.66086745262146