Bach, JS: Mass in B Minor, BWV 232: Agnus Dei - Johann Sebastian Bach, Charles Brett, Orchestra Of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale, Ghent Information

Acousticness: 99%
Danceability: 10%
Energy: 3%
Instrumentalness: 31%
Liveness: 11%
Loudness: 55%
Speechiness: 5%
Valence: 5%
Popularity: 13%
Loudness: -27.002 dB

Summary

"Bach, JS: Mass in B Minor, BWV 232: Agnus Dei" by Johann Sebastian Bach, Charles Brett, Orchestra Of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale, Ghent was released on 1989. With this song being about 5 minutes long, at 5:27, "Bach, JS: Mass in B Minor, BWV 232: Agnus Dei" by Johann Sebastian Bach, Charles Brett, Orchestra Of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale, Ghent is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 13 out of 25 in Bach: Mass in B Minor by Johann Sebastian Bach, Philippe Herreweghe, Barbara Schlick, Catherine Patriasz, Charles Brett, Howard Crook, Peter Kooij, Orchestra Of Collegium Vocale. Bach, JS: Mass in B Minor, BWV 232: Agnus Dei is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Bach, JS: Mass in B Minor, BWV 232: Agnus Dei BPM

The tempo marking of Bach, JS: Mass in B Minor, BWV 232: Agnus Dei by Johann Sebastian Bach, Charles Brett, Orchestra Of Collegium Vocale, Ghent, Philippe Herreweghe, Orchestra of Collegium Vocale, Ghent is Adagio (slowly with great expression), since this song has a tempo of 72 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

Bach, JS: Mass in B Minor, BWV 232: Agnus Dei Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Concerto In F Major, F Dur BWV978, After Antonio Vivaldi: (Allegro)	Arts Music Recording, Rotterdam, Pieter Dirksen, Johann Sebastian Bach	E Minor	1	9A	81 BPM
Stabat Mater: 9. Sancta Mater	Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood	D Major	1	10B	80 BPM
Music: Stolzel: Bist Du Bei Mir	John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach	E♭ Major	1	5B	64 BPM
Brandenburg Concerto No. 6 In B Flat Major, BWV 1051: II. Adagio Ma Non Tanto	Cologne Chamber Orchestra, Johann Sebastian Bach	C Minor	1	5A	83 BPM
Mass in B Minor, BWV 232: Agnus Dei (Alto)	Johann Sebastian Bach, Meg Bragle, English Baroque Soloists, John Eliot Gardiner	E♭ Major	1	5B	126 BPM
King Arthur, or The British Worthy (1691) / Act 5: Fairest Isle	Henry Purcell, Andreas Scholl, Accademia Bizantina, Stefano Montanari	E♭ Major	1	5B	94 BPM
Stabat Mater, for Soprano, Alto, Strings and Organ in F Major: No. 1, Stabat mater dolorosa. Grave (Duet)	Giovanni Battista Pergolesi, Gemma Bertagnolli, Sara Mingardo, Concerto Italiano, Rinaldo Alessandrini	E Minor	0	9A	77 BPM
Canzonette d'amore	Claudio Monteverdi, Concerto Delle Dame Di Ferrara, Sergio Vartolo	B Minor	0	10A	100 BPM
La Morte d'Abel: Quel buon pastor son io	Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini	E Minor	1	9A	121 BPM
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice]	Jean-Baptiste Lully, William Christie, Les Arts Florissants	F Minor	1	4A	71 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7165787220001221

End: 0.7219498157501221