"6 Pieces, Op. 51, TH.143: 6 Valse sentimentale" by Pyotr Ilyich Tchaikovsky, Arthur Grumiaux, Istvan Hajdu was released on January 1, 1995. The duration of 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale's duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 40 in Favourite Violin Encores by Arthur Grumiaux, Istvan Hajdu. The popularity of 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of 6 Pieces, Op. 51, TH.143: 6 Valse sentimentale by Pyotr Ilyich Tchaikovsky, Arthur Grumiaux, Istvan Hajdu is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): II. Aragonaise | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Minor | 0 | 7A | 117 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Giselle: Valse | Adolphe Adam, Michael Tilson Thomas, London Symphony Orchestra | D Major | 1 | 10B | 87 BPM | ||
Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Cologne New Philharmonic Orchestra, Volker Hartung | G Minor | 2 | 6A | 99 BPM | ||
Giselle: Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 122 BPM | ||
Fantasia in D Minor, K. 397 | Wolfgang Amadeus Mozart, Alfred Brendel | D Major | 0 | 10B | 126 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Swan Lake (Suite), Op. 20a, TH. 219: I. Scene - Swan Theme | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Mstislav Rostropovich | E Minor | 2 | 9A | 74 BPM | ||
Tchaikovsky: Swan Lake, Op. 20, Act I: No. 6, Pas d'action. Andantino, quasi moderato - Allegro | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | E Major | 1 | 12B | 62 BPM | ||
Wiegenlied, Op. 49, No. 4 (Arr. for Cello and Piano) [Brahms Lullaby] | Johannes Brahms, Yo-Yo Ma | E♭ Major | 0 | 5B | 134 BPM |
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