"Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I" by Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov was released on 1993. Since Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 19 in Beethoven:Symphony No. 9/Piano Concerto No. 5/Mozart: Piano Concerto No. 20 by Wolfgang Sawallisch. Based on our statistics, Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Piano Concerto No. 20 in D Minor, K.466: III. Rondeau: Allegro assai - Cadenza - Tempo I by Wolfgang Sawallisch, Philharmonia Orchestra, Youri Egorov is Allegro (fast, quick, and bright), since this song has a tempo of 139 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
The music key of this track is D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphonie fantastique, Op. 14: II. Un bal | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | A Major | 1 | 11B | 107 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust | Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | B♭ Major | 0 | 6B | 100 BPM | ||
Gianni Schicchi: O mio babbino caro | Giacomo Puccini, Lucia Popp, Bavarian State Orchestra, Wolfgang Sawallisch | D Major | 0 | 10B | 91 BPM | ||
Strauss, R: Ein Heldenleben, Op. 40: V. Des Helden Walstatt | Richard Strauss, Wolfgang Sawallisch, Philadelphia Orchestra | C Major | 1 | 8B | 117 BPM | ||
Coppelia Ballet Suite: Notturno | Léo Delibes, Slovak Radio Symphony Orchestra, Ondrej Lenard | G Major | 0 | 9B | 80 BPM | ||
Variazzioni di clarinetto in C Major | Gioachino Rossini, Prague Philharmonia, Jiří Bělohlávek, Ludmila Peterková | C Major | 1 | 8B | 128 BPM | ||
Bruch : Violin Concerto No.1 in G minor Op.26 : III Finale - Allegro energico | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | G Major | 2 | 9B | 90 BPM | ||
La gazza ladra: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | E Major | 1 | 12B | 171 BPM | ||
Pelléas et Mélisande, Op.80: Chanson de Mélisande | Gabriel Fauré, Lorraine Hunt, Boston Symphony Orchestra, Seiji Ozawa | B♭ Major | 0 | 6B | 87 BPM | ||
Eine Faust-Ouvertüre | Richard Wagner, Philadelphia Orchestra/Wolfgang Sawallisch, Wolfgang Sawallisch, Philadelphia Orchestra | A♭ Major | 1 | 4B | 93 BPM |
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