Requiem in D Minor, K. 626: II. Kyrie: Kyrie
Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien
Mozart: Requiem
2:56 July 12, 2004
BPM
81
Key
A Minor
Camelot
8A

Embed

Share Link

Requiem in D Minor, K. 626: II. Kyrie: Kyrie - Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien Information

Acousticness
99%
Danceability
34%
Energy
19%
Instrumentalness
71%
Liveness
8%
Loudness
67%
Speechiness
3%
Valence
28%
Popularity
Loudness
-19.879 dB

Summary

Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien's 'Requiem in D Minor, K. 626: II. Kyrie: Kyrie' came out on July 12, 2004. The duration of Requiem in D Minor, K. 626: II. Kyrie: Kyrie is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Requiem in D Minor, K. 626: II. Kyrie: Kyrie's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Nikolaus Harnoncourt's "Mozart: Requiem" album is number 2 out of 14. On top of that, Germany appears to be the country where this track was created. Requiem in D Minor, K. 626: II. Kyrie: Kyrie is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Requiem in D Minor, K. 626: II. Kyrie: Kyrie BPM

We consider the tempo marking of Requiem in D Minor, K. 626: II. Kyrie: Kyrie by Wolfgang Amadeus Mozart, Nikolaus Harnoncourt, Concentus Musicus Wien to be Andante (at a walking pace) because the track has a tempo of 81 BPM, a half-time of 40BPM, and a double-time of 162 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.

Requiem in D Minor, K. 626: II. Kyrie: Kyrie Key

The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
The Magic Flute, K. 620, Act II: Ach! Ich fühl's, es ist verschwunden by Wolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerThe Magic Flute, K. 620, Act II: Ach! Ich fühl's, es ist verschwundenWolfgang Amadeus Mozart, Wilfried Gahmlich, Anna Gonda, Hungarian Festival Chorus, Budapest Failoni Chamber Orchestra, Michael Halasz, Hellen Kwon, Lotte Leitner, Herbert Lippert, Elizabeth Norberg-Schulz, Kurt Rydl, Georg Tichy, Julia Faulkner, Waltraud WinsauerG Minor06A181 BPM
Die Zauberflöte, K. 620, Act I: Die Zauberflöte, K. 620, Act I: "Der Vogelfänger bin ich ja"Teddy Tahu Rhodes, Tasmanian Symphony Orchestra, Ola RudnerG Major19B129 BPM
Requiem, Op. 48: Libera me by Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe HerrewegheRequiem, Op. 48: Libera meGabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Stephan Genz, Philippe HerrewegheD Minor07A62 BPM
Great Mass in C Minor, K. 427: I. Andante Moderato (Kyrie) by Wolfgang Amadeus Mozart, Accentus, La Chambre Philharmonique, Emmanuel KrivineGreat Mass in C Minor, K. 427: I. Andante Moderato (Kyrie)Wolfgang Amadeus Mozart, Accentus, La Chambre Philharmonique, Emmanuel KrivineF Major17B131 BPM
Lohengrin, WWV 75 / Act III: Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin"Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio AbbadoC Major18B75 BPM
Addio del passato - Violetta by Giuseppe Verdi, Anna NetrebkoAddio del passato - ViolettaGiuseppe Verdi, Anna NetrebkoA Minor08A92 BPM
Requiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies Illa by Slovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus MozartRequiem In D Minor, K. 626: Sequence: VI. Lacrimosa Dies IllaSlovak Philharmonic, Jaroslava Horska, Vladimir Ruso, Peter Mikulas, Stefan Klimo, Slovak Philharmonic Chorus, Jozef Kundlák, Magdaléna Hajóssyová, Wolfgang Amadeus MozartD Minor17A180 BPM
Vivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis Deo by Antonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus WienVivaldi: Gloria in D Major, RV 589: I. Gloria in excelsis DeoAntonio Vivaldi, Nikolaus Harnoncourt, Arnold Schoenberg Chor, Concentus Musicus WienD♭ Major43B139 BPM
Vesperae solennes de confessore, K. 339: VII. Magnificat by Wolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireVesperae solennes de confessore, K. 339: VII. MagnificatWolfgang Amadeus Mozart, Greta de Reyghere, Marijke van Arnhem, Renaat Deckers, Jan van der Crabben, Capella Brugensis, Collegium Instrumentale Brugense, Patrick PeireC Major28B109 BPM
Mass No. 2 in G Major, D. 167: VI. Agnus Dei by Franz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperMass No. 2 in G Major, D. 167: VI. Agnus DeiFranz Schubert, Barbara Bonney, Andreas Schmidt, Katrine Bryndorf, Chamber Orchestra of Europe, Claudio Abbado, Chor der Wiener StaatsoperE Minor09A73 BPM
ISRC
DEE470400095
Label
L-M Records/RCA Records

Section: 0.6689760684967041

End: 0.6736493110656738