Facciam, cara mia File, un concento, una musica gentile
Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp
Sweelinck, J.P.: Vocal Music (The Secular Vocal Works - Chansons, Italian Rimes and Madrigals, French Rimes)
2:35 January 1, 2009
BPM
80
Key
G Minor
Camelot
6A

Embed

Share Link

Facciam, cara mia File, un concento, una musica gentile - Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp Information

Acousticness
99%
Danceability
28%
Energy
6%
Instrumentalness
0%
Liveness
7%
Loudness
58%
Speechiness
5%
Valence
14%
Popularity
Loudness
-25.446 dB

Summary

"Facciam, cara mia File, un concento, una musica gentile" by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp was released on January 1, 2009. The duration of Facciam, cara mia File, un concento, una musica gentile is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Facciam, cara mia File, un concento, una musica gentile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "Sweelinck, J.P.: Vocal Music (The Secular Vocal Works - Chansons, Italian Rimes and Madrigals, French Rimes)". In this album, this song's track order is #21. Facciam, cara mia File, un concento, una musica gentile is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Facciam, cara mia File, un concento, una musica gentile BPM

With Facciam, cara mia File, un concento, una musica gentile by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Facciam, cara mia File, un concento, una musica gentile Key

This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Ludi musici I: 16. Alamande a 4, SSWV 54 by Samuel Scheidt, L'Achéron, François Joubert-CailletLudi musici I: 16. Alamande a 4, SSWV 54Samuel Scheidt, L'Achéron, François Joubert-CailletB Major21B92 BPM
Amphitryon, Z. 572, Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano)Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin MallonF♯ Minor011A115 BPM
Messe de minuit pour Noel, H. 9: Noel: Laissez paitre vos betes by Marc-Antoine Charpentier, Jane Archibald, Michele de Boer, Anne L'Esperance, Marion Newman, Nancy Reynolds, Colin Ainsworth, James McLennan, David Nortman, Giles Tomkins, Estaban Cambre, Aradia Ensemble, Kevin MallonMesse de minuit pour Noel, H. 9: Noel: Laissez paitre vos betesMarc-Antoine Charpentier, Jane Archibald, Michele de Boer, Anne L'Esperance, Marion Newman, Nancy Reynolds, Colin Ainsworth, James McLennan, David Nortman, Giles Tomkins, Estaban Cambre, Aradia Ensemble, Kevin MallonD♭ Major03B113 BPM
Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months by Benjamin Britten, Finzi Singers, Paul SpicerFive Flower Songs, Op. 47: II. The Succession of the Four Sweet MonthsBenjamin Britten, Finzi Singers, Paul SpicerB Minor110A108 BPM
Tantum ergo, WAB 42 by Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaTantum ergo, WAB 42Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards KļavaA Major211B135 BPM
Canzon seconda by Giovanni Gabrieli, Flanders Recorder QuartetCanzon secondaGiovanni Gabrieli, Flanders Recorder QuartetA♭ Major04B66 BPM
Fiori musicali, Op. 12, F 12.34: No. 34, Toccata avanti la Missa della Madonna by Girolamo Frescobaldi, Bernard FoccroulleFiori musicali, Op. 12, F 12.34: No. 34, Toccata avanti la Missa della MadonnaGirolamo Frescobaldi, Bernard FoccroulleD♭ Minor012A79 BPM
Komm, Jesu, komm by Johann Schelle, Bavarian Radio Chorus, Florian Helgath, Capella De La Torre, Katharina BaumlKomm, Jesu, kommJohann Schelle, Bavarian Radio Chorus, Florian Helgath, Capella De La Torre, Katharina BaumlG Major19B93 BPM
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo by Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de CamboulasCanzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto EccardoTarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de CamboulasB♭ Minor23A159 BPM
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) by Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordThou Knowest, Lord, The Secrets Of Our Hearts (Z.58c)Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, OxfordE♭ Major15B130 BPM
ISRC
This song does not have an ISRC.
Label
L-M Records/RCA Records

Section: 0.5498011112213135

End: 0.5553939342498779