"Facciam, cara mia File, un concento, una musica gentile" by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp was released on January 1, 2009. The duration of Facciam, cara mia File, un concento, una musica gentile is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Facciam, cara mia File, un concento, una musica gentile's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 70 in the song's album "Sweelinck, J.P.: Vocal Music (The Secular Vocal Works - Chansons, Italian Rimes and Madrigals, French Rimes)". In this album, this song's track order is #21. Facciam, cara mia File, un concento, una musica gentile is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Facciam, cara mia File, un concento, una musica gentile by Jan Pieterszoon Sweelinck, Gesualdo Consort Amsterdam, Harry Van Der Kamp having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ludi musici I: 16. Alamande a 4, SSWV 54 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | B Major | 2 | 1B | 92 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM | ||
Messe de minuit pour Noel, H. 9: Noel: Laissez paitre vos betes | Marc-Antoine Charpentier, Jane Archibald, Michele de Boer, Anne L'Esperance, Marion Newman, Nancy Reynolds, Colin Ainsworth, James McLennan, David Nortman, Giles Tomkins, Estaban Cambre, Aradia Ensemble, Kevin Mallon | D♭ Major | 0 | 3B | 113 BPM | ||
Five Flower Songs, Op. 47: II. The Succession of the Four Sweet Months | Benjamin Britten, Finzi Singers, Paul Spicer | B Minor | 1 | 10A | 108 BPM | ||
Tantum ergo, WAB 42 | Anton Bruckner, Latvian Radio Choir, Kristīne Adamaite, Sigvards Kļava | A Major | 2 | 11B | 135 BPM | ||
Canzon seconda | Giovanni Gabrieli, Flanders Recorder Quartet | A♭ Major | 0 | 4B | 66 BPM | ||
Fiori musicali, Op. 12, F 12.34: No. 34, Toccata avanti la Missa della Madonna | Girolamo Frescobaldi, Bernard Foccroulle | D♭ Minor | 0 | 12A | 79 BPM | ||
Komm, Jesu, komm | Johann Schelle, Bavarian Radio Chorus, Florian Helgath, Capella De La Torre, Katharina Bauml | G Major | 1 | 9B | 93 BPM | ||
Canzoni overo sonate concertate per chiesa e camera, Op. 12: No. 19, Ballo detto Eccardo | Tarquinio Merula, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | B♭ Minor | 2 | 3A | 159 BPM | ||
Thou Knowest, Lord, The Secrets Of Our Hearts (Z.58c) | Henry Purcell, Simon Preston, Francis Grier, Christ Church Cathedral Choir, Oxford | E♭ Major | 1 | 5B | 130 BPM |
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