"A Caballo (On Horseback)" by Jesús Echeverría, Lourdes Ambriz, Ernesto Anaya, Cuarteto Carlos Chávez was released on September 26, 2003. With this song being about 5 minutes long, at 4:50, "A Caballo (On Horseback)" by Jesús Echeverría, Lourdes Ambriz, Ernesto Anaya, Cuarteto Carlos Chávez is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Jesús Echeverría, Lourdes Ambriz, Ernesto Anaya, Cuarteto Carlos Chávez's "Jesús Echeverría: Cantes Huastecos" album is number 7 out of 10. On top of that, Mexico appears to be the country where this track was created. In terms of popularity, A Caballo (On Horseback) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Caballo (On Horseback) by Jesús Echeverría, Lourdes Ambriz, Ernesto Anaya, Cuarteto Carlos Chávez to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Guitar Quartet No. 10 in A Major, MS 37: II. Minuetto-Scherzo | Niccolò Paganini, Paganini Ensemble Vienna | A Major | 1 | 11B | 175 BPM | ||
Nocturnes, Op. 9: II. Andante (Arr. for Cello & Piano by Julian Riem) | Frédéric Chopin, Olga Scheps, Raphaela Gromes | E♭ Major | 1 | 5B | 170 BPM | ||
Goodbye | Ben Flos | B Minor | 2 | 10A | 75 BPM | ||
Variations sur un thème hongrois, Op. 72: II. Theme. Adagio | Jenő Hubay, BBC Scottish Symphony Orchestra, Hagai Shaham, Martyn Brabbins | E Major | 2 | 12B | 98 BPM | ||
Indianas: I. Gala del Día | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | F Major | 1 | 7B | 70 BPM | ||
Sonata in A Minor, JS 177: III. Tempo di minuetto - For violin and piano | Jean Sibelius, Emma Arizza, Stefano Marzanni | B Minor | 0 | 10A | 113 BPM | ||
Perla Moruna: Capricho Árabe | Orquesta Típica de Granada | F Minor | 2 | 4A | 128 BPM | ||
From the Carolina Hills, Op. 15: III. A Picture | Edith L. Winn, Maureen Yuen, Eric Rupple | D Major | 2 | 10B | 163 BPM | ||
Selve amiche | Oya Ergün | G Major | 7 | 9B | 140 BPM | ||
Hamburg Symphony No. 2 in B-Flat Major, Wq. 182: III. Presto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | D♭ Major | 3 | 3B | 100 BPM |
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