Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay made "Indianas: I. Gala del Día" available on November 5, 2008. The duration of Indianas: I. Gala del Día is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Indianas: I. Gala del Día's duration is considered a little bit shorter than the average duration of a typical track. The song is number 1 out of 15 in Carlos Guastavino: Indianas - Mario Castelnuovo-Tedesco: Romancero Gitano & Fantasía by Cuarteto Vocal Cavatina, José Antonio Garcia Fuertes, Aurelio Viribay. Going off of the ISRC code of this track, we detected that the origin of this track is from Spain. Indianas: I. Gala del Día is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Indianas: I. Gala del Día by Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay is Adagio (slowly with great expression), since this song has a tempo of 70 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From the Bavarian Highlands, Op. 27 (Version for Choir & Piano): No. 2, False Love | Edward Elgar, Bavarian Radio Chorus, Max Hanft, Howard Arman | D Major | 1 | 10B | 99 BPM | ||
Indianas: I. Gala del Día | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | F Major | 1 | 7B | 70 BPM | ||
Lloraba la niña - Live | Evaristo Fernández Blanco, Raquel Lojendio, Aurelio Viribay | D♭ Major | 6 | 3B | 70 BPM | ||
Domine non secundum | Vincent Warnier - Ensemble Vocal Jean Sourisse | B Major | 1 | 1B | 83 BPM | ||
Romancero Gitano, Op. 152: III. Puñal | Cuarteto Vocal Cavatina, José Antonio García Fuentes, Aurelio Viribay | G Minor | 2 | 6A | 134 BPM | ||
Madre, Unos Ojuelos Ví | Lola Casariego, Aurelio Viribay | A Minor | 2 | 8A | 92 BPM | ||
Sós | Juan Durán, Gabriel Alonso, Aurelio Viribay | A♭ Major | 3 | 4B | 144 BPM | ||
Porpora: Arianna e Teseo: "Mira in cielo" (Alceste) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | E Major | 2 | 12B | 132 BPM | ||
Tu ch'hai le penne, amore | Giulio Caccini, Cecilia Bartoli, György Fischer | G Minor | 1 | 6A | 134 BPM | ||
Veni Sancte Spiritus, K. 47 | Wolfgang Amadeus Mozart, Gloriae Dei Cantores, Lucia Smith, Richard Pugsley, Wayne Schuman, Estelle Cole, Vox Caeli Sinfonia, Patrick Clark, Elizabeth C. Patterson | G Major | 2 | 9B | 142 BPM |
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