"Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina" by Carl Orff, David Hill, Janice Watson, Bournemouth Symphony Orchestra was released on 1995. The duration of Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #21. Furthermore, we believe that the track originated from United Kingdom. Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina by Carl Orff, David Hill, Janice Watson, Bournemouth Symphony Orchestra having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Meditation | Jules Massenet, Anne Akiko Meyers, Andrew Litton | E Minor | 1 | 9A | 86 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
Requiem: XIII. In Paradisum | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 0 | 7B | 136 BPM | ||
Funeral Sentences for the death of Queen Mary II: The Queen's Funeral March (Procession) | Henry Purcell, Baroque Brass Of London, David Hill | B♭ Minor | 2 | 3A | 85 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: Stetit puella | Carl Orff, Michel Plasson, Orchestre National Du Capitole De Toulouse | A Major | 0 | 11B | 91 BPM | ||
Die tote Stadt (The Dead City), Op. 12: Act I Scene 5: Gluck, das mir verblieb (Marietta, Paul) | Erich Wolfgang Korngold, Klaus Florian Vogt, Tatiana Pavlovskaya, Michael Nagy, Hedwig Fassbender, Anna Ryberg, Jenny Carlstedt, Julian Prégardien, Hans-Jurgen Lazar, Frankfurt Opera Chorus, Frankfurt Opera Children's Chorus, Frankfurt Opera and Museum Orchestra, Sebastian Weigle | B♭ Major | 1 | 6B | 83 BPM | ||
Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus) | Giuseppe Verdi, Montserrat Caballé, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Anton Guadagno | F Major | 1 | 7B | 93 BPM | ||
Requiem: V. Confutatis | Karl Jenkins, Nicole Tibbels, Serendipity, Cor Caerdydd & Cytgan, West Kazakhstan Philharmonic Orchestra, Marat Bisengaliev, Clive Bell, Catrin Finch, Tim Thorne, Timothy Rhys-Evans, Gary Kettel | F Major | 1 | 7B | 145 BPM | ||
Nabucco / Act III: Va, pensiero, sull'ali dorate | Giuseppe Verdi, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | D♭ Major | 0 | 3B | 73 BPM |
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