"Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus)" by Giuseppe Verdi, Montserrat Caballé, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Anton Guadagno was released on April 27, 2009. The duration of Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus) is about 3 minutes long, at 3:28. Based on our data, "Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There is only one song in 100 Best Adagio Voices, so we believe that "Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus)" is a single. In terms of popularity, Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Verdi: La forza del destino, Act 2 Scene 10: Finale, "La Vergine degli Angeli" (Leonora, Chorus) by Giuseppe Verdi, Montserrat Caballé, Ambrosian Opera Chorus, Royal Philharmonic Orchestra, Anton Guadagno is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rigoletto / Act 3: "Bella figlia dell'amore" | Giuseppe Verdi, Renato Bruson, Edita Gruberova, Neil Shicoff, Brigitte Fassbaender, Orchestra dell'Accademia Nazionale di Santa Cecilia, Giuseppe Sinopoli | D♭ Major | 2 | 3B | 119 BPM | ||
Die lustige Witwe / Act 2: Vilja-Lied | Franz Lehár, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 97 BPM | ||
Monteverdi: L'incoronazione di Poppea, SV 308, Act 3: "Pur ti miro" (Nerone, Poppea) | Claudio Monteverdi, Philippe Jaroussky, L'Arpeggiata, Núria Rial, Christina Pluhar | G Major | 1 | 9B | 77 BPM | ||
I See The Light - From "Tangled" | Royal Philharmonic Orchestra | F Major | 2 | 7B | 94 BPM | ||
Silent Songs: No. 2 Dusi dusi | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava | A Minor | 0 | 8A | 132 BPM | ||
Turandot: Tu, che di gel sei cinta | Mirella Freni, Vienna Volksoper Orchestra, Argeo Quadri | B Major | 2 | 1B | 87 BPM | ||
Marche slave, Op. 31, TH 45 | Pyotr Ilyich Tchaikovsky, Royal Philharmonic Orchestra, Adrian Leaper | B♭ Minor | 4 | 3A | 111 BPM | ||
A Chloris | Reynaldo Hahn, Véronique Gens, Susan Manoff | E Major | 1 | 12B | 133 BPM | ||
32. Hearts do not break! They sting and ache | Arthur Sullivan, Lyndsie Holland, Royal Philharmonic Orchestra, Royston Nash | D♭ Major | 2 | 3B | 82 BPM | ||
La traviata / Act 1: "Libiamo ne'lieti calici" (Brindisi) | Giuseppe Verdi, Luciano Pavarotti, Wendy White, Anthony Laciura, Metropolitan Opera Orchestra, James Levine, Metropolitan Opera Chorus | B♭ Major | 1 | 6B | 111 BPM |
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