4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle - Florent Schmitt, Célimène Daudet, Amanda Favier Information

Acousticness: 94%
Danceability: 18%
Energy: 10%
Instrumentalness: 10%
Liveness: 12%
Loudness: 66%
Speechiness: 4%
Valence: 4%
Popularity: 0%
Loudness: -20.642 dB

Summary

"4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle" by Florent Schmitt, Célimène Daudet, Amanda Favier had its release date on November 15, 2013. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 16 out of 22 in Dans la malle du Poilu by Célimène Daudet, Amanda Favier. In terms of popularity, 4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle BPM

The tempo marking of 4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle by Florent Schmitt, Célimène Daudet, Amanda Favier is Andante (at a walking pace), since this song has a tempo of 93 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.

4 Pièces pour piano et violon, Op. 25: No. 4, Barcarolle Key

A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Piano Concerto in A Minor, Op. 7: Romanze: Andante non troppo con grazia	Clara Schumann, Francesco Nicolosi, Alma Mahler Sinfonietta, Stefania Rinaldi	G Minor	7	6A	100 BPM
Quatuor de saxophones: No. 3, Assez lent	Florent Schmitt, Orchestre De La Société Des Concerts Du Conservatoire, Philippe Gaubert, Marcel Mule, André Bauchy, Georges Gourdet, Marcel Josse	A♭ Minor	1	1A	85 BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto (1915 Version)	Jean Sibelius, San Francisco Symphony, Esa-Pekka Salonen	E♭ Major	1	5B	76 BPM
Symphony No. 8 in G Major, Op. 88, B. 163: III. Allegretto grazioso - Molto vivace	Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	127 BPM
Ombres, Op. 64: II. Mauresque	Florent Schmitt, Vincent Larderet	G Major	0	9B	70 BPM
D'un soir triste	Lili Boulanger, Luxembourg Philharmonic Orchestra, Mark Stringer	C Major	1	8B	84 BPM
La Tragédie de Salomé, Op. 50: XVIII. Vif. Mouvement de la danse joyeuse	Florent Schmitt, Frankfurt Radio Symphony Orchestra, Alain Altinoglu	F Major	1	7B	82 BPM
The Planets, Op. 32: III. Mercury, the Winged Messenger	Gustav Holst, Daniel Harding, Symphonieorchester des Bayerischen Rundfunks	A♭ Major	0	4B	64 BPM
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	B♭ Major	0	6B	103 BPM
Serenade for Strings in C Major, Op. 48, TH 48: II. Valse	Pyotr Ilyich Tchaikovsky, Zagreb Philharmonic Orchestra, Dmitri Kitayenko	C Major	1	8B	138 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records