"Орлеанская дева, действие IV картина 1: No. 21, Интродукция и сцена "Как мне, как мне любовию пылать?"" by Irina Arkhipova, Сергей Яковенко, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения had its release date on October 19, 2018. This song is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. There is only one song in Чайковский: Орлеанская дева, so we believe that "Орлеанская дева, действие IV картина 1: No. 21, Интродукция и сцена "Как мне, как мне любовию пылать?"" is a single. In terms of popularity, Орлеанская дева, действие IV картина 1: No. 21, Интродукция и сцена "Как мне, как мне любовию пылать?" is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Орлеанская дева, действие IV картина 1: No. 21, Интродукция и сцена "Как мне, как мне любовию пылать?" by Irina Arkhipova, Сергей Яковенко, Gennady Rozhdestvensky, Геннадий Рождественский, Grand Symphony Orchestra of All-Union National Radio Service and Central Television Networks, Большой симфонический оркестр Всесоюзного радио и Центрального телевидения is Andante (at a walking pace), since this song has a tempo of 102 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
О чём в тиши ночей | Irina Arkhipova, Ivari Ilja, Ludmila Sokoloverova | B♭ Major | 2 | 6B | 90 BPM | ||
Puccini: La rondine, Act 1: "Chi il bel sogno di Doretta" (Magda, Yvette, Bianca, Prunier, Lisette, Suzy, Rambaldo, Périchaud, Gobin, Crébillon) | Giacomo Puccini, Angela Gheorghiu, Antonio Pappano, London Symphony Orchestra | B♭ Minor | 8 | 3A | 126 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): Patrie infortunée | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Pilar Lorengar | G Major | 1 | 9B | 86 BPM | ||
Южная ночь | Irina Arkhipova, Ludmila Sokoloverova, Ivari Ilja | E Minor | 2 | 9A | 95 BPM | ||
Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Orff: Carmina Burana, Pt. 3, Cour d'amours: In trutina | Carl Orff, Sir Simon Rattle, Sally Matthews, Berliner Philharmoniker | E Minor | 2 | 9A | 99 BPM | ||
Le nozze di Figaro, K.492 / Act 4: "Deh vieni, non tardar" | Wolfgang Amadeus Mozart, Dawn Upshaw, Metropolitan Opera Orchestra, James Levine | F Major | 0 | 7B | 97 BPM | ||
Хованщина, действие IV картина 2 сцена 8: "Господи, Боже мой!" | Vladislav Piavko, Irina Arkhipova, Андрей Федосеев, хор Большого театра, Boris Khaikin, Борис Хайкин, Оркестр Большого театра | F♯ Minor | 3 | 11A | 100 BPM | ||
Борис Годунов, действие III картина 2: Полонез с хором "Вашей страсти я не верю, пане" | Irina Arkhipova, хор Большого театра, Alexander Melik-Pashayev, Оркестр Большого театра | C Major | 3 | 8B | 99 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Softly and gently | Sir Edward Elgar, Alice Coote, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 171 BPM |