"Pur ti Miro from 'L'incoronazione di Poppea" by Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields was released on October 17, 2003. With this song being around four minutes long, at 3:37, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United States. In terms of popularity, Pur ti Miro from 'L'incoronazione di Poppea is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Pur ti Miro from 'L'incoronazione di Poppea by Claudio Monteverdi, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture-Suite in A Minor: Réjouissance | Georg Philipp Telemann, David Munrow, Carmel Kaine, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 142 BPM | ||
Il primo libro de' madrigali: A che tòrmi il ben moi | Claudio Monteverdi, Rinaldo Alessandrini, Concerto Italiano | D Major | 1 | 10B | 64 BPM | ||
Fantasia on Greensleeves | Ralph Vaughan Williams, Ralph Greaves, New Zealand Symphony Orchestra, James Judd | C Minor | 0 | 5A | 78 BPM | ||
Requiem en ré mineur, Op. 48: "Pie Jesu" | Gabriel Fauré, Christian-Pierre La Marca, Alexis Kossenko, Les Ambassadeurs, Elizabeth Geiger | B♭ Major | 1 | 6B | 95 BPM | ||
Clarinet Concerto in A, K.622: 2. Adagio | Wolfgang Amadeus Mozart, Jack Brymer, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 0 | 10B | 86 BPM | ||
Fauré: Pavane, Op. 50 | Gabriel Fauré, Sir Neville Marriner, Academy of St. Martin in the Fields | F♯ Minor | 1 | 11A | 70 BPM | ||
Magnificat | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Am Tage Aller Seelen, D. 343 - Arr. for Arpeggione and Piano | Franz Schubert, Anne Gastinel, Claire Désert | E♭ Major | 0 | 5B | 85 BPM | ||
Monteverdi: L'Orfeo, favola in musica, SV 318, Act 1: "Lasciate i monti, lasciate i fonti" (Ninfe, Pastori) - Ritornello | Claudio Monteverdi, Emmanuelle Haïm | D Minor | 0 | 7A | 77 BPM |
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