Joseph Haydn, Orchestre de Chambre de Lausanne, Antal Doráti made "L'incontro improvviso / Act 3: Intermezzo" available on September 21, 2022. With L'incontro improvviso / Act 3: Intermezzo being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 16 out of 449 in A Season of Music: Haydn by Joseph Haydn. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Based on our statistics, L'incontro improvviso / Act 3: Intermezzo's popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of L'incontro improvviso / Act 3: Intermezzo by Joseph Haydn, Orchestre de Chambre de Lausanne, Antal Doráti is Allegro (fast, quick, and bright), since this song has a tempo of 122 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Holberg Suite, Op.40: 3. Gavotte (Allegretto) - Musette (poco più mosso) - Gavotte | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 149 BPM | ||
Bassoon Concerto in C Major, RV 473: I. Allegro | Antonio Vivaldi, Tamás Benkócs, Nicolaus Esterhazy Sinfonia, Béla Drahos | D Minor | 1 | 7A | 102 BPM | ||
Amadis de Gaule, W. G39: Act II Scene V: Gigue | Johann Christian Bach, Ulrike Sonntag, Elfie Hobarth, Ibolya Verebics, James Wagner, Wolfgang Schöne, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E Major | 1 | 12B | 132 BPM | ||
Symphony No. 94 in G Major, Hob.I:94 "Surprise": III. Menuet & Trio. Allegro Molto | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | G Major | 2 | 9B | 73 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, The Heavens are Telling the Glory of God | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Harry Christophers | D Major | 1 | 10B | 74 BPM | ||
Sinfonia In G Major, Wq. 183/4, H. 666: III. Presto | Carl Philipp Emanuel Bach, Salzburg Chamber Philharmonic Orchestra | A Minor | 2 | 8A | 80 BPM | ||
Keyboard Suite No. 3 (Set I) in D Minor, HWV 428: VI. Presto | George Frideric Handel, Philip Edward Fisher | D Minor | 2 | 7A | 130 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Bach, JS: Brandenburg Concerto No. 4 in G Major, BWV 1049: II. Andante | Johann Sebastian Bach, Monica Huggett, Rachel Beckett, Marion Scott, Orchestra of the Age of Enlightenment | D♭ Major | 0 | 3B | 116 BPM | ||
Double Concerto in A Minor, Op. 102 for Violin, Cello and Orchestra: II. Andante | Johannes Brahms, Joshua Bell, Steven Isserlis, Academy of St. Martin in the Fields | G Major | 1 | 9B | 95 BPM |
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