Charles Gounod, Mirella Freni, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra's 'Roméo et Juliette (1994 - Remaster), Act II: Ecoute!...on vient!' came out on 1969. With Roméo et Juliette (1994 - Remaster), Act II: Ecoute!...on vient! being less than two minutes long, at 1:33, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 41 in the song's album "Roméo et Juliette - Gounod". In this album, this song's track order is #18. In terms of popularity, Roméo et Juliette (1994 - Remaster), Act II: Ecoute!...on vient! is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Roméo et Juliette (1994 - Remaster), Act II: Ecoute!...on vient! by Charles Gounod, Mirella Freni, Alain Lombard, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Souvenir d'un lieu cher, Op. 42: 3. Mélodie | Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding | E♭ Major | 0 | 5B | 99 BPM | ||
Beethoven: Piano Sonata No. 8 in C Minor, Op. 13 "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Stephen Kovacevich | A♭ Major | 0 | 4B | 126 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | D Major | 0 | 10B | 176 BPM | ||
Piano Concerto No. 3 in C-Sharp Minor, Op. 55: II. Larghetto | Ferdinand Ries, Christopher Hinterhuber, Gävle Symphony Orchestra, Uwe Grodd | F Major | 1 | 7B | 134 BPM | ||
3 Gymnopédies: No. 1 in D Major: Lent et douloureux | Erik Satie, Pascal Rogé | G Major | 0 | 9B | 82 BPM | ||
Vivaldi: The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": III. Allegro "La caccia" | Antonio Vivaldi, Sarah Chang, Orpheus Chamber Orchestra | C Major | 1 | 8B | 147 BPM | ||
The Seasons, Op. 37B: XII. December. Yuletide | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Detroit Symphony Orchestra | F Major | 1 | 7B | 111 BPM | ||
Cello Concerto No. 1 in G Major: II. Romance: Andantino | Carl Stamitz, Christian Benda, Prague Chamber Orchestra | B♭ Major | 0 | 6B | 91 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM |
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