Polonaise-fantaisie, Op. 61, in A-Flat - Frédéric Chopin, Arthur Rubinstein Information

Acousticness
98%
Danceability
30%
Energy
27%
Instrumentalness
88%
Liveness
10%
Loudness
78%
Speechiness
4%
Valence
21%
Popularity
Loudness
-13.482 dB

Summary

Frédéric Chopin, Arthur Rubinstein's 'Polonaise-fantaisie, Op. 61, in A-Flat' came out on November 1, 1999. Polonaise-fantaisie, Op. 61, in A-Flat appears to be safe for all ages as it is not explicit. There are a total of 9 in the song's album "Rubinstein Collection, Vol. 28: Chopin: Polonaises, Andante spianato & Grande Polonaise". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Polonaise-fantaisie, Op. 61, in A-Flat is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Polonaise-fantaisie, Op. 61, in A-Flat BPM

With Polonaise-fantaisie, Op. 61, in A-Flat by Frédéric Chopin, Arthur Rubinstein having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.

Polonaise-fantaisie, Op. 61, in A-Flat Key

E♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Sonata in G major, Wq. 62/19: 2. Andante by Carl Philipp Emanuel Bach, Mikhail PletnevSonata in G major, Wq. 62/19: 2. AndanteCarl Philipp Emanuel Bach, Mikhail PletnevB Minor010A98 BPM
Nocturne No.8 In D Flat, Op.27 No.2 - 2005 Recording by Frédéric Chopin, Maurizio PolliniNocturne No.8 In D Flat, Op.27 No.2 - 2005 RecordingFrédéric Chopin, Maurizio PolliniD♭ Major03B56 BPM
Piano Concerto No. 1, Op. 11 (Arr. Solo Piano by Eneri-Gorainoff): II. Romanze - Larghetto - Welte-Mignon 2160 by Frédéric Chopin, Irene Eneri-Gorainoff, Peter PhillipsPiano Concerto No. 1, Op. 11 (Arr. Solo Piano by Eneri-Gorainoff): II. Romanze - Larghetto - Welte-Mignon 2160Frédéric Chopin, Irene Eneri-Gorainoff, Peter PhillipsE Major112B85 BPM
Sonata No. 14 Sonata No. 14 "Moonlight" in C-Sharp Minor", Op. 27 No. 2: I. Adagio sostenutoLudwig van Beethoven, Paul LewisD♭ Minor012A171 BPM
4 Pieces, Op. 51: 1. Fragilité by Alexander Scriabin, Evgeny Kissin4 Pieces, Op. 51: 1. FragilitéAlexander Scriabin, Evgeny KissinE♭ Major05B69 BPM
Salut d'Amour, Op. 12 by Edward Elgar, Yo-Yo Ma, Kathryn StottSalut d'Amour, Op. 12Edward Elgar, Yo-Yo Ma, Kathryn StottD Major010B73 BPM
Bagatelles et impromptus: VII. Love by Bedřich Smetana, William HowardBagatelles et impromptus: VII. LoveBedřich Smetana, William HowardA Major011B71 BPM
Orchestral Suite No. 3 in D Major, BWV 1068: II. Air Orchestral Suite No. 3 in D Major, BWV 1068: II. Air "On a G String" (Arr. for Piano)Johann Sebastian Bach, Lang LangD Major010B115 BPM
Pavane pour une infante défunte, M. 19 by Maurice Ravel, Anna VinnitskayaPavane pour une infante défunte, M. 19Maurice Ravel, Anna VinnitskayaE Minor09A67 BPM
Jeux d'enfants, Op. 22 WD 56: 3. La poupée by Georges Bizet, Katia Labèque, Marielle LabèqueJeux d'enfants, Op. 22 WD 56: 3. La poupéeGeorges Bizet, Katia Labèque, Marielle LabèqueB Major01B64 BPM
ISRC
USBC19800135
Label
L-M Records/RCA Records

Section: 0.7164905071258545

End: 0.7224202156066895