"Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto" by Karol Szymanowski, Jadwiga Gadulanka, Andrzej Hiolski, Krystyna Szostek Radkowa, Jan Wojtacha, Polish State Philharmonic Chorus (Katowice), Polish State Philharmonic Orchestra, Katowice, Karol Stryja was released on July 21, 2000. Since Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 10 in the song's album "Szymanowski: Stabat Mater / Veni Creator / Litania". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Hong Kong. Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Stabat Mater, Op. 53: I. Stabat mater dolorosa / Stala matka bolejaca: Andante mesto by Karol Szymanowski, Jadwiga Gadulanka, Andrzej Hiolski, Krystyna Szostek Radkowa, Jan Wojtacha, Polish State Philharmonic Chorus (Katowice), Polish State Philharmonic Orchestra, Katowice, Karol Stryja having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
6 Studies in English Folksong (Version for Cello & Piano): No. 2, Andante sostenuto "Spurn Point" | Ralph Vaughan Williams, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 90 BPM | ||
2 Pieces for the Left Hand, Op. 9: No. 2. Nocturne in D-Flat Major | Alexander Scriabin, Maria Lettberg | D♭ Major | 0 | 3B | 76 BPM | ||
3 Old Viennese Dances: No. 2, Liebesleid (Transcr. for Violin and Orchestra) | Fritz Kreisler, María Dueñas, Wiener Symphoniker, Manfred Honeck | G Major | 0 | 9B | 103 BPM | ||
3 Pieces for cello and piano: No. 2. Sans vitesse et a l'aise | Nadia Boulanger, Nicolas Altstaedt, José Gallardo | F Major | 0 | 7B | 83 BPM | ||
Abendlied, Op. 85 No. 12 (Arr. Grosvenor) | Robert Schumann, Benjamin Grosvenor | D♭ Major | 0 | 3B | 68 BPM | ||
3 Preludes and Fugues, Op. 16: No. 2. Prelude and Fugue in B-Flat Major | Clara Schumann, Jozef De Beenhouwer | B♭ Major | 0 | 6B | 100 BPM | ||
Love's Labour's Lost, Op. 28a: III. Dumaine's Poem | Gerald Finzi, Robert Plane, Royal Northern Sinfonia, Howard Griffiths | G Minor | 1 | 6A | 105 BPM | ||
4 Études, Op. 4: No. 1 in E-Flat Minor. Allegro moderato | Karol Szymanowski, Marek Szlezer | E Minor | 1 | 9A | 58 BPM | ||
Prelude | William Alwyn, Ashley Wass | E Minor | 0 | 9A | 170 BPM |
Section: 0.6580352783203125
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