"Was ist? Gar nichts (La Traviata)" by Maria Cebotari, Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester was released on August 7, 2006. The duration of Was ist? Gar nichts (La Traviata) is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Was ist? Gar nichts (La Traviata)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Art of Maria Cebotari". In this album, this song's track order is #9. In terms of popularity, Was ist? Gar nichts (La Traviata) is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Was ist? Gar nichts (La Traviata) by Maria Cebotari, Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
Messa di Gloria: XVII. Benedictus | Giacomo Puccini, Ludovic Tezier, Gustavo Gimeno, Orchestre Philharmonique Du Luxembourg, Pablo Larraz, Orfeó Català | B♭ Major | 1 | 6B | 73 BPM | ||
Akt I: Zum letzten Liebesmahle gerüstet Tag für Tag | Richard Wagner, Georg Zeppenfeld, Philippe Jordan | A♭ Major | 1 | 4B | 76 BPM | ||
Ja, es ward Abend (Madame Butterfly) | Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester, Maria Cebotari | A Major | 3 | 11B | 78 BPM | ||
Martern aller Arten (Die Entführung aus dem Serail) | Maria Cebotari, Staatskapelle Berlin | G Major | 2 | 9B | 88 BPM | ||
Gounod : Faust : Act 1 "Ainsi que la brise légère" [Siébel, Faust, Méphistophélès, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | D Major | 1 | 10B | 217 BPM | ||
Tarentelle, Op. 49 | Gabrielle Ferrari, Agathe Peyrat, Raphaëlle Moreau, Célia Oneto Bensaid | D Major | 3 | 10B | 125 BPM | ||
Mercè, dilette amiche | Tamara Radjenovic, Makris Symphony Orchestra & Choir | A Minor | 3 | 8A | 112 BPM | ||
Ich bin auf der Welt, um glücklich zu sein | Maria Cebotari | B♭ Major | 3 | 6B | 169 BPM | ||
Strauss II, J: La chauve-souris, Act 1: Couplets. "Eh quoi ! Monsieur, supposez-vous..." (Caroline, Alfred, Tourillon) | Johann Strauss II, Franck Pourcel, Jacqueline Brumaire, Michel Roux, Remy Corazza, Orchestre De La Société Des Concerts Du Conservatoire | G Major | 1 | 9B | 80 BPM |
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