"Ja, es ward Abend (Madame Butterfly)" by Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester, Maria Cebotari was released on August 29, 2006. Ja, es ward Abend (Madame Butterfly) appears to be safe for all ages as it is not explicit. The track order of this song in Helge Rosvaenge's "Helge Rosvaenge singt Verdi und Puccini" album is number 6 out of 9. Ja, es ward Abend (Madame Butterfly) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Ja, es ward Abend (Madame Butterfly) by Helge Rosvaenge, Berliner Rundfunk-Sinfonie-Orchester, Maria Cebotari to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenad (Ljuva flicka) | Akademiska Sångföreningen | F♯ Major | 1 | 2B | 88 BPM | ||
Il Trovatore - Ah Si Ben Mio | Ervin Litkei, Andrea Litkei | A♭ Major | 2 | 4B | 82 BPM | ||
Deutschland Erwache | Horst Wessel | D♭ Minor | 2 | 12A | 121 BPM | ||
Gräfin Mariza, Act I: "Komm Zigány" (Tassilo) | Emmerich Kálmán, Hamburger Rundfunkorchester, Wilhelm Stephan, Karl Terkal | E Major | 3 | 12B | 89 BPM | ||
Gräfin Mariza - Operetta in 3 Acts: Einleitung - Höre ich Zigeunergeigen | Emmerich Kálmán, Herta Talmar, Grosses Operetten Orchester, Franz Marszalek | D Major | 3 | 10B | 91 BPM | ||
Forkladd gud, Op. 24: Vad faller over traden for silverglans | Lars-Erik Larsson, Elisabeth Söderström, Martin Lidstams Vokalensemble, Stockholm Radio Orchestra, Stig Westerberg | B Minor | 2 | 10A | 89 BPM | ||
3. For the merriest fellows are we | Arthur Sullivan, Michael Wakeham, The D'Oyly Carte Opera Chorus, The New Symphony Orchestra Of London, Isidore Godfrey | C Major | 1 | 8B | 88 BPM | ||
Calling All Workers | Eric Coates, Light Symphony Orchestra | C Major | 3 | 8B | 142 BPM | ||
Fidelio, Op. 72: Act I: O welche Lust, in freier Luft den Atem leicht zu heben!, "Prison Chorus" | Ludwig van Beethoven, Hedwig Müller-Bütow, Helge Rosvaenge, Heinrich Pflanzl, Jaro Prohaska, Kurt Rehm, Ruth Keplinger, Gerhard Unger, Berlin State Opera Chorus, Staatskapelle Berlin, Hermann Abendroth | C Major | 4 | 8B | 82 BPM | ||
Pagliacci, Act I: Vesti la giubba | Ruggero Leoncavallo, Helge Rosvaenge, Studio Orchestra, StudioConductor | B♭ Major | 2 | 6B | 97 BPM |
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