On January 1, 2008, the song "2. Andante (Capriccio in B flat)" was released by Johann Sebastian Bach, Friedrich Gulda. With 2. Andante (Capriccio in B flat) being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Johann Sebastian Bach, Friedrich Gulda's "Gulda Plays Bach" album is number 20 out of 26. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 2. Andante (Capriccio in B flat)'s popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of 2. Andante (Capriccio in B flat) by Johann Sebastian Bach, Friedrich Gulda to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Haydn: Cello Concerto No. 2 in D Major, Hob. VIIb:2: III. Rondo (Allegro) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | A Major | 1 | 11B | 138 BPM | ||
12 Études d'exécution transcendante, S. 139: No. 7 Eroica (Allegro) | Franz Liszt, Daniil Trifonov | F♯ Major | 2 | 2B | 97 BPM | ||
Lyric Pieces Book X, Op. 71: No. 3 Puck | Edvard Grieg, Emil Gilels | B Major | 1 | 1B | 92 BPM | ||
Symphony No. 3 in C Major, Op. 2, "The Chaplet": II. Vivace | William Boyce, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 121 BPM | ||
50 Russian Folk Songs, TH 176: 49. Song of the Volga Boatmen | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa, Alexei Kuznetsoff | E Major | 0 | 12B | 68 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: I. Moderato (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | C Major | 1 | 8B | 68 BPM | ||
2 Pieces, Op. posth., B. 188: No. 1. Lullaby in G Major | Antonín Dvořák, Stefan Veselka | G Major | 0 | 9B | 66 BPM | ||
6 Kinderstücke Op. 72: VI. Vivace, MWV U 168 | Felix Mendelssohn, Daniel Barenboim | F Major | 2 | 7B | 108 BPM | ||
Six German Dances, D.820: No. 5 | Franz Schubert, András Schiff | B♭ Major | 1 | 6B | 173 BPM |
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