Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro)
Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia
Puccini: Turandot
1:13 March 10, 2023
BPM
83
Key
E♭ Minor
Camelot
2A

Embed

Share Link

Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) - Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia Information

Acousticness
98%
Danceability
19%
Energy
6%
Instrumentalness
55%
Liveness
9%
Loudness
62%
Speechiness
5%
Valence
11%
Popularity
Loudness
-22.831 dB

Summary

"Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro)" by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on March 10, 2023. With Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "Puccini: Turandot". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) BPM

With Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) Key

This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.

Recommendations

TrackArtistKeyEnergyCamelotBPM
Donizetti: Lucia di Lammermoor, Act 1: Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza" (Chorus, Normanno, Enrico, Raimondo)Gaetano Donizetti, Jesús López-Cobos, Münchener OpernorchesterB♭ Major26B75 BPM
Te Deum, WAB 45: II. Te ergo quaesumus by Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio ChorusTe Deum, WAB 45: II. Te ergo quaesumusAnton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio ChorusF Major27B98 BPM
La bohème, SC 67 / Act 1: Sì. Mi chiamano Mimì by Giacomo Puccini, Nadine Sierra, Orchestra Sinfonica Nazionale Della RAI, Riccardo FrizzaLa bohème, SC 67 / Act 1: Sì. Mi chiamano MimìGiacomo Puccini, Nadine Sierra, Orchestra Sinfonica Nazionale Della RAI, Riccardo FrizzaE♭ Major35B96 BPM
Suor Angelica: Suor Angelica! Madre, Madre, parlate! by Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeSuor Angelica: Suor Angelica! Madre, Madre, parlate!Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard BonyngeD Major410B80 BPM
Elijah, Op. 70: Elijah, Op. 70: "Call Him Louder, for He Is a God!" (Recitative & Chorus)Felix Mendelssohn, Simon Keenlyside, Paul McCreesh, GabrieliF♯ Major22B90 BPM
Rossini: Ricciardo e Zoraide, Act 1: Rossini: Ricciardo e Zoraide, Act 1: "Qual sarà mai la gioia" (Ricciardo, Ernesto)Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris, Xabier AnduagaG Major29B132 BPM
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo by Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoRespighi: Pini di Roma, P. 141: III. I pini del GianicoloOttorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio PappanoE Major012B81 BPM
Puccini: Tosca, Act 2: Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca)Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du ConservatoireE♭ Major15B90 BPM
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume by Richard Wagner, Kathrin Zukowski, KammerMusikKölnWesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, TräumeRichard Wagner, Kathrin Zukowski, KammerMusikKölnA Major011B169 BPM
Sogno (Arr. Bleton for Mezzosoprano and Guitar) by Paolo Tosti, Elina Garanca, Raphaël FeuillâtreSogno (Arr. Bleton for Mezzosoprano and Guitar)Paolo Tosti, Elina Garanca, Raphaël FeuillâtreA♭ Major04B81 BPM
ISRC
GBAYC2202620
Label
L-M Records/RCA Records

Section: 0.7885258197784424

End: 0.7923226356506348