"Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro)" by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia was released on March 10, 2023. With Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 57 in the song's album "Puccini: Turandot". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Puccini: Turandot, Act 1: "Là, sui monti dell’est" (Coro) by Giacomo Puccini, Antonio Pappano, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia having a BPM of 83 with a half-time of 42 BPM and a double-time of 166 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Minor. Which also means that the camelot key for this song is 2A. So, the perfect camelot match for 2A would be either 2A or 1B. While, a low energy boost can consist of either 2B or 3A. For moderate energy boost, you would use 11A and a high energy boost can either be 4A or 9A. However, if you are looking for a low energy drop, finding a song with a camelot key of 1A would be a great choice. Where 5A would give you a moderate drop, and 12A or 7A would be a high energy drop. Lastly, 5B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: Lucia di Lammermoor, Act 1: "Il tuo dubbio è omai certezza" (Chorus, Normanno, Enrico, Raimondo) | Gaetano Donizetti, Jesús López-Cobos, Münchener Opernorchester | B♭ Major | 2 | 6B | 75 BPM | ||
Te Deum, WAB 45: II. Te ergo quaesumus | Anton Bruckner, Bernard Haitink, Bavarian Radio Symphony Orchestra, Krassimira Stoyanova, Yvonne Naef, Christoph Strehl, Günther Groissböck, Bavarian Radio Chorus | F Major | 2 | 7B | 98 BPM | ||
La bohème, SC 67 / Act 1: Sì. Mi chiamano Mimì | Giacomo Puccini, Nadine Sierra, Orchestra Sinfonica Nazionale Della RAI, Riccardo Frizza | E♭ Major | 3 | 5B | 96 BPM | ||
Suor Angelica: Suor Angelica! Madre, Madre, parlate! | Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 4 | 10B | 80 BPM | ||
Elijah, Op. 70: "Call Him Louder, for He Is a God!" (Recitative & Chorus) | Felix Mendelssohn, Simon Keenlyside, Paul McCreesh, Gabrieli | F♯ Major | 2 | 2B | 90 BPM | ||
Rossini: Ricciardo e Zoraide, Act 1: "Qual sarà mai la gioia" (Ricciardo, Ernesto) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris, Xabier Anduaga | G Major | 2 | 9B | 132 BPM | ||
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Puccini: Tosca, Act 2: "Vissi d'arte, vissi d'amore" (Tosca) | Giacomo Puccini, Maria Callas, Georges Prêtre, Orchestre De La Société Des Concerts Du Conservatoire | E♭ Major | 1 | 5B | 90 BPM | ||
Wesendonck Lieder, WWV 91 (Arr. Fontanelli for Voice and Ensemble): No. 5, Träume | Richard Wagner, Kathrin Zukowski, KammerMusikKöln | A Major | 0 | 11B | 169 BPM | ||
Sogno (Arr. Bleton for Mezzosoprano and Guitar) | Paolo Tosti, Elina Garanca, Raphaël Feuillâtre | A♭ Major | 0 | 4B | 81 BPM |
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