Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge made "Suor Angelica: Suor Angelica! Madre, Madre, parlate!" available on January 1, 1998. The duration of Suor Angelica: Suor Angelica! Madre, Madre, parlate! is about 3 minutes long, at 3:20. Based on our data, "Suor Angelica: Suor Angelica! Madre, Madre, parlate!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 14 in the song's album "Puccini: Suor Angelica". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Suor Angelica: Suor Angelica! Madre, Madre, parlate! is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Suor Angelica: Suor Angelica! Madre, Madre, parlate! by Giacomo Puccini, Anne Collins, Dame Joan Sutherland, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 89 B. 165: Sequentia: Tuba mirum (Alto, Tenor, Bass, Chorus) | Antonín Dvořák, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | D♭ Major | 2 | 3B | 92 BPM | ||
Stabat Mater: Stabat Mater: IX. Sancta mater, istud agas | Francis Poulenc, Cappella Amsterdam, Daniel Reuss, Estonian National Symphony Orchestra, Estonian Philharmonic Chamber Choir | B♭ Minor | 2 | 3A | 89 BPM | ||
La Source / Act 3, Scene 1: 33. Romance | Léo Delibes, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 0 | 3B | 82 BPM | ||
Serenade for tenor, horn & strings, Op. 31: Pastoral - The Day's Grown Old | Benjamin Britten, Sir Peter Pears, Barry Tuckwell, London Symphony Orchestra | F♯ Major | 1 | 2B | 145 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: Dispossessed, aside thrust | Sir Edward Elgar, Hallé, Sir Mark Elder | C Minor | 2 | 5A | 116 BPM | ||
Rigoletto / Act 3: "Bella figlia dell'amore...M'odi, ritorna a casa" | Giuseppe Verdi, Luciano Pavarotti, Joan Sutherland, Huguette Tourangeau, Sherrill Milnes, London Symphony Orchestra, Richard Bonynge | D♭ Major | 3 | 3B | 89 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: There was a mortal ... Praise to the Holiest | Sir Edward Elgar, Alice Coote, Paul Groves, Sir Mark Elder, Hallé | A♭ Major | 0 | 4B | 70 BPM | ||
Mahler: Rückert Lieder: No. 2, Ich atmet' einen linden Duft! | Gustav Mahler, Sir John Barbirolli, Janet Baker, New Philharmonia Orchestra | D Major | 0 | 10B | 145 BPM | ||
Un ballo in maschera / Act 1: "Volta la terrea...Signori: oggi d'Ulrica" | Giuseppe Verdi, Kathleen Battle, Luciano Pavarotti, Alexander Oliver, Renato Bruson, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 3 | 4B | 67 BPM | ||
Lakmé / Act 1: A l'heure accoutumée | Léo Delibes, Jane Berbié, Emile Belcourt, Gabriel Bacquier, Monte Carlo Opera Choir, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | F♯ Major | 1 | 2B | 77 BPM |
Section: 0.7625668048858643
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