"Il Turco in Italia / Act 2: "Squallida veste"" by Gioachino Rossini, Cecilia Bartoli, Roberto de Candia, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly was released on January 1, 1998. The duration of Il Turco in Italia / Act 2: "Squallida veste" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Il Turco in Italia / Act 2: "Squallida veste"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 65 in the song's album "Rossini: Il Turco In Italia". In this album, this song's track order is #29. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Il Turco in Italia / Act 2: "Squallida veste"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Turco in Italia / Act 2: "Squallida veste" by Gioachino Rossini, Cecilia Bartoli, Roberto de Candia, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Il Maestro di Capella: Sinfonia | Domenico Cimarosa, Orchestra of the Royal Opera House, Covent Garden, Argeo Quadri | D Major | 3 | 10B | 74 BPM | ||
Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Presto "O Freunde, nicht diese Töne!" (Excerpt) | Ludwig van Beethoven, Riccardo Muti, James Morris, Philadelphia Orchestra | B♭ Major | 0 | 6B | 77 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Carmen, WD 31 / Act I: Séguedille et Duo: "Près des remparts de Séville" | Georges Bizet, Elina Garanca, Roberto Alagna, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | F♯ Major | 1 | 2B | 127 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Stabat Mater: 10. Amen | Gioachino Rossini, Philharmonia Orchestra, Carlo Maria Giulini, Philharmonia Chorus, Heinz Mende, Roberto Benaglio | G Minor | 3 | 6A | 131 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
On the Beautiful Blue Danube - Waltz Op. 314 | Johann Strauss II, Hallé, Bryden Thomson | D Major | 0 | 10B | 81 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM |
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