Wolfgang Amadeus Mozart, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe made "Requiem, K. 626: II. Kyrie eleison" available on 2005. The duration of Requiem, K. 626: II. Kyrie eleison is about two minutes long, specifically at 2:27. This song does not appear to have any foul language. Requiem, K. 626: II. Kyrie eleison's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Wolfgang Amadeus Mozart, Philippe Herreweghe, Orchestre des Champs-Élysées, La Chapelle Royale, Collegium Vocale Gent's "Mozart: Requiem" album is number 2 out of 15. On top of that, France appears to be the country where this track was created. In terms of popularity, Requiem, K. 626: II. Kyrie eleison is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Requiem, K. 626: II. Kyrie eleison by Wolfgang Amadeus Mozart, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe to be Andante (at a walking pace) because the track has a tempo of 106 BPM, a half-time of 53BPM, and a double-time of 212 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa Sancti Josephi, ZWV 14: No. 3 Et in terra pax | Jan Dismas Zelenka, Julia Lezhneva, Daniel Taylor, Jonathan Sells, Kammerchor Stuttgart, Barockorchester Stuttgart, Frieder Bernius | B Minor | 2 | 10A | 89 BPM | ||
Requiem, Op. 48: VII. Libera me | Gabriel Fauré, Laurence Equilbey, Accentus, Orchestre National De France, Stéphane Degout | D Minor | 1 | 7A | 74 BPM | ||
Requiem, Op. 48: Sanctus | Gabriel Fauré, Collegium Vocale Gent, La Chapelle Royale, Philippe Herreweghe | E♭ Major | 0 | 5B | 108 BPM | ||
Die Jahreszeiten, Hob. XXI:3, Der Frühling: II. Chor des Landvolks, "Komm, holder Lenz!" | Joseph Haydn, Collegium Vocale Gent, Orchestre des Champs-Élysées, Philippe Herreweghe | G Major | 1 | 9B | 64 BPM | ||
Juditha Triumphans, RV 644: Armatae face | Antonio Vivaldi, Magdalena Kozená, Venice Baroque Orchestra, Andrea Marcon | D♭ Major | 4 | 3B | 63 BPM | ||
Paulus: I. Teil: Nr. 1 Chor "Herr, der du bist der Gott" | Felix Mendelssohn, Collegium Vocale Gent, La Chapelle Royale, Orchestre des Champs-Élysées, Philippe Herreweghe | D♭ Major | 3 | 3B | 112 BPM | ||
Gloria: Gratias agimus tibi | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | E♭ Major | 3 | 5B | 80 BPM | ||
Iphigénie en Tauride, Wq. 46 (Excerpts): O Diane, sois-nous propice | Christoph Willibald Gluck, Munich Radio Orchestra, Lamberto Gardelli, Bavarian Radio Chorus | A Minor | 0 | 8A | 114 BPM | ||
Le Nozze Di Figaro (The Marriage Of Figaro), K. 492: Act II Scene 3: Aria - Venite, Inginocchiatevi | Donato Di Stefano, Ingrid Kertesi, Roberto Frontali, Jozsef Mukk, Natale de Carolis, Maria Pia Ionata, Patrizia Pace, Hungarian State Opera Orchestra, Lorenzo Da Ponte, Wolfgang Amadeus Mozart | G Major | 0 | 9B | 65 BPM | ||
Mozart: Requiem in D Minor, K. 626: XIV. Communio | Wolfgang Amadeus Mozart, Riccardo Muti, Patrizia Pace, Stockholm Chamber Choir, Swedish Radio Choir, Berliner Philharmoniker | G Minor | 3 | 6A | 80 BPM |
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