"Irish Blessing" by Bob Chilcott, English Arts Chorale, Leslie Olive had its release date on November 2, 2018. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Irish Blessing's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "Radiance". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Irish Blessing's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Irish Blessing by Bob Chilcott, English Arts Chorale, Leslie Olive having a BPM of 134 with a half-time of 67 BPM and a double-time of 268 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Set Me as a Seal | The Singers - Minnesota Choral Artists | D Major | 1 | 10B | 101 BPM | ||
All-Night Vigil, Op. 52, TH 77 (Excerpts): No. 5, Gladsome Light | Pyotr Ilyich Tchaikovsky, Latvian Radio Choir, Sigvards Kļava | E Minor | 0 | 9A | 75 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Three Songs, Op. 42: I. Abendständchen | Johannes Brahms, RIAS Kammerchor | D♭ Major | 1 | 3B | 106 BPM | ||
Sing We and Chant It | Thomas Morley, Trinity Baroque, Julian Podger | G Major | 3 | 9B | 95 BPM | ||
Nigra sum (I am black) | Pablo Casals, Mark Kruczek, Voices of Ascension Chorus, Dennis Keene | E Major | 0 | 12B | 124 BPM | ||
With Prayer and Supplicaton | Amy Beach, Capitol Hill Choral Society, Paul Hardy, Betty Buchanan | F♯ Minor | 1 | 11A | 108 BPM | ||
Alleluia | Jake Runestad, Susquehanna Chorale, Linda L. Tedford | B♭ Major | 2 | 6B | 147 BPM | ||
Schaffe in mir, Gott, ein rein Herz, Op. 29, No. 2 | Johannes Brahms, Windsbacher Knabenchor, Martin Lehmann | G Major | 1 | 9B | 83 BPM | ||
Burial Sentences: II. I Know That My Redeemer Liveth | William Croft, Michael Bawtree, Annabell McLauchlan, David Rowland | C Minor | 1 | 5A | 144 BPM |