Thomas Morley, Trinity Baroque, Julian Podger made "Sing We and Chant It" available on June 8, 2010. With Sing We and Chant It being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Tudor Age Music". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sing We and Chant It is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sing We and Chant It by Thomas Morley, Trinity Baroque, Julian Podger having a BPM of 95 with a half-time of 48 BPM and a double-time of 190 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM | ||
Kyrie | Josquin des Prez, A Sei Voci, Bernard Fabre-Garrus | F Major | 2 | 7B | 76 BPM | ||
Taverner: Leroy Kyrie | John Taverner, Peter Phillips, The Tallis Scholars | D♭ Major | 1 | 3B | 74 BPM | ||
Ain't That Good News! | The Graduate Choir, nz, Terence Maskell | F♯ Major | 2 | 2B | 82 BPM | ||
Novus Miles Sequitur | anon. & 13th century, Trinity Baroque, Fprbury Consort, Alan Crumpler, The Holbein Consort, Martin Pope, Julian Podger | C Major | 0 | 8B | 114 BPM | ||
Mother of God Here I Stand | John Taverner, Nottingham Cathedral Choir, Alex Patterson | F♯ Major | 0 | 2B | 84 BPM | ||
My Love Dwelt in A Northern Land, Op. 18, No. 3 | Edward Elgar, musica intima | A Minor | 1 | 8A | 105 BPM | ||
Now is the month of maying | Thomas Morley, The Toronto Consort | F♯ Major | 3 | 2B | 103 BPM | ||
2 Choral songs, Op. 71: No. 1. The Shower | Edward Elgar, Cambridge University Chamber Choir, Christopher Robinson | G Major | 1 | 9B | 75 BPM |
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